Geometric art
 Geometric Greek Krater, Smarthistory. |
Geometric art is a phase of Greek art, characterized largely by geometric motifs in vase painting, that flourished towards the end of the Greek Dark Ages, circa 900 BC – 700 BC. Its centre was in Athens, and from there the style spread amongst the trading cities of the Aegean.
The Greek Dark Ages is also called the Geometric period in reference to this characteristic pottery style, although the historical period is much longer than the art-historical period, being circa 1100 – 800 BC.
During the Protogeometric period (1050–900 BC), the shapes of the vessels have eliminated the fluid nature of the Mycenaean, the form has become strict and simple and they are divided into horizontal decorative bands with a few written geometric shapes within, usually concentric circles or semicircles engraved with a caliper.
In the Early Geometric period (900–850 BC), the height of the vessels had been increased, while the decoration is limited around the neck down to the middle of the body of the vessel. The remaining surface is covered by a thin layer of clay, which during the cooking takes a dark, shiny, metallic color. That was the period when the decorative theme of the meander was added to the pottery design, the most characteristic element of Geometric art.
By the Middle Geometric period (850–760 BC), the decorative zones appear multiplied due to the creation of a laced mesh, while the meander dominates and is placed in the most important area, in the metope, which is arranged between the handles.
While the technique from the Middle Geometric period was still continued at the beginning of the 8th century BC, some potters enriched again the decorative organization of the vases, stabilized the forms of the animals in the areas of the neck and the base of the vase, and introduced at the main metope between the handles, the human form. This was the first phase of the Late Geometric period (760–700 BC), in which the great vessels of Dipylon ware placed on the graves as funeral monuments, and represent with their height (often at a height of 1.50 m) and the perfection of their execution, the highest expression of the Greek Geometric art.
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