Geogaddi | ||||
---|---|---|---|---|
Studio album by Boards of Canada | ||||
Released | 13 February 2002 | |||
Recorded |
Hexagon Sun studio Pentland Hills, Scotland |
|||
Genre | Electronic,ambient,IDM | |||
Length | 65:54 | |||
Label | Warp | |||
Producer | Michael Sandison and Marcus Eoin | |||
Boards of Canada chronology | ||||
|
Professional ratings | |
---|---|
Aggregate scores | |
Source | Rating |
Metacritic | 84/100 |
Review scores | |
Source | Rating |
AllMusic | |
The Boston Phoenix | |
Entertainment Weekly | B+ |
The Guardian | |
NME | 9/10 |
Pitchfork Media | 8.6/10 |
Q | |
Rolling Stone | |
Spin | 8/10 |
Uncut |
Geogaddi is the second album by Scottish electronic music duo Boards of Canada, released in February 2002. It has a darker sound than its predecessor, Music Has the Right to Children. The band claimed that the title has a definite meaning, but that they wanted listeners to decide on their own interpretations.
The album is available in three formats: Standard jewel case CD packaging, limited edition hardbound book packaged with a CD and extra artwork enclosed, and a triple record package. Side F of the vinyl package, with the track "Magic Window" (which consists of nearly two minutes of silence), is uncut and contains a visible etching of a nuclear family.
The artwork of the album carries a distinct kaleidoscopic motif. The limited edition version comes with a 12-page booklet exhibiting artwork.
The band received the idea to make the track time total 66 minutes and 6 seconds from Warp Records president Steve Beckett, his reasoning being to joke around with the listeners and imply the Devil had created the album.
Geogaddi was first released in Japan on 13 February 2002.Geogaddi was released by Warp on 18 February 2002 in Europe. It has been released on compact disc, vinyl, digital download and as a limited edition compact disc.
Geogaddi holds a score of 84 out of 100 from review aggregate site Metacritic based on 21 critics' reviews, indicating "universal acclaim".Kitty Empire of NME praised it as "easily the electronic album of the year" and called it "deliciously saturated with the recurring motifs which have marked them out as an individual voice in electronic music" and "a meeting of the natural with the digital, and here it's eerier than ever before." Mark Richardson of Pitchfork Media also gave a positive review while noting the album's lack of change from their earlier debut album, writing: "While some will complain about Boards of Canada's failure to cover new territory, which puts them apart from the praised eclectic "searchers" of the music scene [...] the rest of us will delight in what we see as a very accomplished album packed with great music." The album appeared on several end of year "best of" lists.