Generation loss

Generation loss is the loss of quality between subsequent copies or transcodes of data. Anything that reduces the quality of the representation when copying, and would cause further reduction in quality on making a copy of the copy, can be considered a form of generation loss. File size increases are a common result of generation loss, as the introduction of artifacts may actually increase the entropy of the data through each generation.

In analog systems (including systems that use digital recording but make the copy over an analog connection), generation loss is mostly due to noise and bandwidth issues in cables, amplifiers, mixers, recording equipment and anything else between the source and the destination. Poorly adjusted distribution amplifiers and mismatched impedances can make these problems even worse. Repeated conversion between analog and digital can also cause loss.

Generation loss was a major consideration in complex analog audio and video editing, where multi-layered edits were often created by making intermediate mixes which were then "bounced down" back onto tape. Careful planning was required to minimize generation loss, and the resulting noise and poor frequency response.

One way of minimizing the number of generations needed was to use an audio mixing or video editing suite capable of mixing a large number of channels at once; in the extreme case, for example with a 48-track recording studio, an entire complex mixdown could be done in a single generation, although this was prohibitively expensive for all but the best-funded projects.

The introduction of professional analog noise reduction systems such as Dolby A helped reduce the amount of audible generation loss, but were eventually superseded by digital systems which vastly reduced generation loss.

According to ATIS, "Generation loss is limited to analog recording because digital recording and reproduction may be performed in a manner that is essentially free from generation loss."

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