Geirr Tveitt

Geirr Tveitt, born Nils Tveit (19 October 1908 – 1 February 1981) was a Norwegian composer and pianist. Tveitt was a central figure of the national movement in Norwegian cultural life during the 1930s.

Tveitt was born in Bergen, where his father briefly worked as a teacher. His parents were Håkonson Lars Tveit (1878–1951) and Johanna Nilsdotter Heradstveit (1882–1966). His family were of farmer stock, and still retained Tveit, their ancestral land in Kvam - a secluded village on the scenic Hardangerfjord. The Tveit family would relocate to Drammen in the winter to work, but return to Hardanger in the summer to farm. Thus Tveitt enjoyed both a countryside existence and city life. Tveitt had originally been christened Nils, but following his increasing interest in Norwegian heritage, he thought the name 'not Norwegian enough' and changed it to Geir. He later added an extra r to his first name and an extra t to Tveit to indicate more clearly to non-Norwegians the desired pronunciation of his name. It was during his childhood summers in Hardanger that Tveitt gained knowledge of the rich folk-music traditions of the area. Historically, Hardanger's relative isolation allowed for the development of a unique musical culture, with which Tveitt became infatuated. Tveitt was no child prodigy, but discovered that he possessed musical talent, and learned to play both the violin and the piano. And, after having been encouraged by Norwegian composer Christian Sinding, Tveitt decided to try his hand at writing music.

In 1928 Tveitt left Norway to be educated. He headed for Germany - to Leipzig and its Conservatory, which had been the hub of European musical learning and culture for so long. It was an intense time for Tveitt. He studied composition with Hermann Grabner and Leopold Wenninger, and the piano with Otto Weinreich, making extraordinary progress in both fields. The joy of learning from some of the best German educators of the time were often overshadowed by his almost chronic lack of funds - Tveitt having to rely upon translation work and donations to support himself. The Norwegian composer David Monrad Johansen through the student years. Perhaps it was the expatriation from Norway that kindled in Tveitt a strong desire to embrace completely his Norwegian heritage. Tveitt's profound interest in the modal scales (which forms the basis of the folk-music of many countries) often tested Grabner's patience. However, the latter must have felt great pride when Tveitt had his 12 Two-part Inventions in Lydian, Dorian and Phrygian accepted for publishing by Breitkopf & Hartel in 1930. The following year the Leipzig Radio Orchestra premiered Tveitt's first Piano Concerto - a composition that reflects Tveitt's search for an individual and Norwegian voice.

...
Wikipedia