Galician rumba

Galician rumba (rumba gallega) belongs to those songs and dances called cantes de ida y vuelta, "of departure and return", like the Habanera, that travelled back from Cuba to the Spanish motherland to establish themselves as musical genres cultivated and cherished by the Spanish population.

Like the rumba flamenca, the Galician rumba originated from a fusion of certain Cuban and Spanish elements of style. The characteristics of that new genre are similar to those of the new song-dances that appeared in the Caribbean Basin area during the 19th century, which were the result of a combination of Iberian and African elements. This new musical style has been called by Armando Rodríguez Ruidíaz the Rumba prototype and defined as follows: “That original product, which we can call the Rumba prototype, was the result of a process of cultural fusion, in which certain European components, such as the lyrics, the tonal relationships (Major-Minor), the melodic and harmonic structures and the “quatrain-refrain” (copla-estribillo) form, were combined with syncopated rhythmic patterns and micro-metric fluctuations (micro time) of African origin.”

Also like in the rumba flamenca, the melody in the rumba gallega is frequently based on the Spanish Andalusian cadence, while in the background it generally utilizes one or several rhythms which are characteristic of some Cuban music genres such as the guaracha, the rumba and the habanera.

According to Miguel Pérez Lorenzo, there are testimonies about the inclusion of the “Rumba” in the Galician bagpipe’s (gaita) repertoire since the 19th century. He also says in reference to the bagpiper from Ourense, Xoán Ferreiro: “He played, we imagine, those pieces that he heard from his father, other bagpipers, and the band… Jerónimo (father of this bagpiper, who passed away in 1940) emigrated to Cuba, where he lived until five years before his death… those years in Cuba served him to include “rumbas and “boleros” in his repertoire… which now Don Xoán plays. With the exception of the processional pieces that Don Xoán used to play; sometime in the mass and other times walking behind the “Saint” in the procession, the rest was mainly for the people to dance in the fests and “romerías.”

Due to its popular origin the “Galician Rumbas” are frequently attributed to unknown authors; and in a similar way as the Muiñeira and other traditional genres, they are named after the town or region where they were collected, like: Rumba de Eo, Rumba de Mallou, Rumba de Cerqueira, Rumba de Anxeriz or Rumba de Vergara. They are also titled after the name of the author, if it happens to be known, or after the person to whom they have been dedicated, as for example: Rumba de Juanito do Carballal, Rumba de Pucho, or Rumba Sabeliña.

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Wikipedia