The galliard (/ˈɡæljərd/; French: gaillarde; Italian: gagliarda) was a form of Renaissance dance and music popular all over Europe in the 16th century. It is mentioned in dance manuals from England, France, Spain, Germany, and Italy.
As a dance, the galliard was definitely not one to be improvised. It had dancers combining patterns of steps which occupy one or more measures of music. In one measure, a galliard typically has five steps; in French such a basic step is called a cinq pas and in Italy, cinque passi. This is sometimes written in English sources as sinkapace. These steps are: right, left, right, left, cadence.
The galliard is an athletic dance, characterised by leaps, jumps, hops and other similar figures. The main feature that defines a galliard step is the last two beats consist of a large jump, landing with one leg ahead of the other. This jump is called a cadence, and the final landing is called the posture. The sources generally describe movement patterns starting on the left foot, then repeating it starting with the right foot. A galliard pattern may also last twice as long, or more, which would involve 11 steps, or 17 steps.
The galliard was a favourite dance of Queen Elizabeth I of England, and although it is a relatively vigorous dance, in 1589 when the Queen was aged in her mid fifties, John Stanhope of the Privy Chamber reported, "the Queen is so well as I assure you, six or seven galliards in a morning, besides music and singing, is her ordinary exercise."
While most commonly being an entire dance, the galliard's steps are used within many other forms of dance. For example, 16th-century Italian dances in Fabritio Caroso's (1581) and Cesare Negri's (1602) dance manuals often have a galliard section.
One special step used during a galliard is lavolta, a step which involves an intimate, close hold between a couple, with the woman being lifted into the air and the couple turning 270 degrees, within one six-beat measure. Lavolta was considered by some dancing masters as an inappropriate dance.