Gabriel Axel
| Gabriel Axel | |
|---|---|
| Born |
Axel Gabriel Erik Mørch 18 April 1918 Aarhus, Denmark |
| Died | 9 February 2014 (aged 95) Bagsværd (near Copenhagen), Denmark |
| Nationality | Danish |
| Education | Actor |
| Alma mater | Royal Danish Theatre |
| Occupation | Film director, actor, writer, producer |
| Years active | 1945–2001 |
| Known for | Babette's Feast |
| Spouse(s) | Lucie Juliette Laraignou (m. 1948–1996) |
| Children | 4 |
| Awards |
Academy Award Rungstedlund Award |
Axel Gabriel Erik Mørch better known as Gabriel Axel (18 April 1918 – 9 February 2014) was a Danish film director, actor, writer and producer, best known for Babette's Feast (1987), which he wrote and directed.
Born in Aarhus, Denmark, on 18 April 1918, Axel spent most of his childhood in Paris in a wealthy Danish manufacturer's family.
In 1935, at age 17 after the family's economic collapse, he moved to Denmark and trained as a cabinet maker. In 1942, Axel was admitted to the acting school at the Royal Danish Theatre in Copenhagen. After graduating in 1945, he returned to France where he spent five years on stage in Paris, including at the Théâtre de l'Athénée under theatre director Louis Jouvet. During the winter of 1948-1949 he produced Ludvig Holberg's Diderich Menschenskraek (Diderich the Terrible) at Théâtre de Paris.
Axel returned to Denmark in 1950, and broke through as a stage director in the early 1950s. His productions included La tête des autres (Other People's Heads) by Marcel Aymé, Le Cid by Pierre Corneille, and Pour Lucrèce by Jean Giraudoux. Axel started directing for television in 1951, and, from 1951–1968, did some 48 television dramas.
From 1955, Axel was a director at Nordisk Film. His debut feature, the social-realist drama Nothing But Trouble (1955), was highly praised, and the breakthrough came with the TV film A Woman Not Wanted in 1957.
He went on to direct a string of lighter comedies and farces before making the epic Nordic saga The Red Mantle in 1967, which was selected for Cannes Film Festival competition and won a Technical Prize (Mention spéciale du grand prix technique) at the 1967 Cannes Film Festival. His other films include the popular comedy The Goldcabbage Family (1975) and its sequel, and a series of sexually oriented features including the campaigning Det kære legetøj (1968) which advocated the legalisation of pornography in Denmark.
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