Ga Ga Ga Ga Ga | ||||
---|---|---|---|---|
Studio album by Spoon | ||||
Released | July 7, 2007 | |||
Genre | ||||
Length | 36:26 | |||
Label | ||||
Producer | ||||
Spoon chronology | ||||
|
||||
Singles from Ga Ga Ga Ga Ga | ||||
|
Professional ratings | |
---|---|
Aggregate scores | |
Source | Rating |
Metacritic | 84/100 |
Review scores | |
Source | Rating |
AllMusic | |
The A.V. Club | B+ |
Entertainment Weekly | A− |
The Guardian | |
MSN Music | B+ |
Pitchfork Media | 8.5/10 |
Q | |
Rolling Stone | |
Spin | |
Uncut |
Ga Ga Ga Ga Ga is the sixth studio album by American indie rock band Spoon. It was released on Merge Records on July 10, 2007 to considerable critical acclaim. Its cover art comes from a portrait of the artist and sculptor Lee Bontecou, taken by the Italian photographer Ugo Mulas in 1963. The completed sculpture on the right is now in the collection of the Honolulu Museum of Art.
The album's title is the former title for the song "The Ghost of You Lingers", which was meant to sound like the song's staccato piano part. The band changed the song's title, but decided to adopt the name "Ga Ga Ga Ga Ga" as the album title, with Britt Daniel calling it a "great little Dadaist term".
An iTunes-exclusive bonus track, "Deep Clean", was packaged with Ga Ga Ga Ga Ga. A limited edition copy of the album was released along with a bonus disc entitled Get Nice! The disc includes 23 minutes of mostly instrumental songs and a few demo tracks. Early buyers of the album also received a free 7" containing a demo of "The Underdog", and the B-side "It Took a Rumor to Make Me Wonder, Now I'm Convinced I'm Going Under", which had previously appeared on the UK edition of the "Sister Jack" single.
The album debuted at number 10 on the U.S. Billboard 200 and at number 1 on the Billboard Top Independent Albums, selling 46,000 copies in its first week. By January 2010, the album had sold 318,000 copies in the United States.
"Don't Make Me a Target" was originally written by Daniel while Spoon was producing its previous album, Gimme Fiction. The band practiced it "quite a bit" before the release of Gimme Fiction, but ended up shelving it for a year after unsuccessful attempts to work out an arrangement they liked. When it was recorded a year later, the drum part was recorded without tom-toms the first time. Drummer Jim Eno then recorded the tom-toms separately with a drastically different microphone arrangement. This gave them a much more reverb-laden sound, as if "in a tunnel".