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Gʻafur Gʻulom

Gʻafur Gʻulom
Stamps of Uzbekistan, 2003-24.jpg
Commemorative stamp made in 2003 in honor of Gʻafur Gʻulom's 100th birthday.
Born Gʻafur Gʻulomovich Gʻulomov
(1903-05-10)May 10, 1903
Tashkent
Russian Turkestan
Died July 10, 1966(1966-07-10) (aged 63)
Tashkent
Uzbek Soviet Socialist Republic
Occupation Poet, teacher, literary translator, and writer
Literary movement realism
Notable awards

Gʻafur Gʻulom or Gafur Gulom (Russified form Gafur Gulyam) (Uzbek: Gʻafur Gʻulom, Ғафур Ғулом) (May 10, 1903 – July 10, 1966) was an Uzbek poet, writer, and literary translator. He is best remembered for his stories Shum Bola (The Mischievous Boy) (adapted for film in 1977) and Yodgor. Gʻafur Gʻulom is also known for translating the works of many influential foreign authors, such as Alexander Pushkin, Vladimir Mayakovsky, and William Shakespeare. He translated Le Mariage de Figaro of Pierre Beaumarchais, Othello of William Shakespeare, and Gulistan of Saadi Shirazi into Uzbek.

Gʻafur Gʻulom is considered to be one of the most influential Uzbek writers of the 20th century. He is also regarded as one of the founders of modern Uzbek poetry along with Hamza Hakimzoda Niyoziy. Gʻafur Gʻulom received the prestigious State Stalin Prize in 1946 and became a National Poet of the Uzbek SSR in 1963.

Gʻafur Gʻulomovich Gʻulomov was born to a poor family on May 10, 1903, in Tashkent. His father, Gʻulom Mirza Orif, knew Russian and was fond of reading poems and could himself write poetry. He died when Gʻafur Gʻulom was only nine years old.

Gʻafur Gʻulom first went to a so-called old school, a quasi-Muslim school, and later enrolled in a Russian tuzem school (Russian: Ру́сско-тузе́мная шко́ла), an elementary school for non-Russians in Turkestan. After completing a teacher preparation program, he started to teach at a contemporary school. In 1923, he was appointed the head of the curriculum department at an orphanage. During that time Gʻafur Gʻulom also started working on the editorial board of different publications, such as Kambagʻal dehqon (The Poor Farmer), Qizil Oʻzbekiston (Red Uzbekistan), and Sharq haqiqati (The Truth of the East). Working on editorial boards gave him a chance to learn about the life of ordinary citizens.


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