Abbreviation | FMC |
---|---|
Formation | 2000, United States |
Type | Non-profit organization |
Purpose | National nonprofit education, research and advocacy organization for musicians |
Headquarters | Washington, District of Columbia, U.S. |
President
|
Michael Bracy |
Website | www.futureofmusic.org |
Future of Music Coalition (FMC) is a U.S. 501(c)(3) national non-profit organization specializing in education, research and advocacy for musicians with a focus on issues at the intersection of music technology, policy and law.
Future of Music Coalition was founded in 2000 by Jenny Toomey, Kristin Thomson, Michael Bracy, Walter McDonough, and Brian Zisk.
Jenny Toomey and Kristin Thomson formed the indie rock band Tsunami in 1990 and ran the Arlington, VA-based independent label Simple Machines Records from 1990 to 1998. While running Simple Machines, Toomey and Thomson published four editions of The Mechanic's Guide, a do-it-yourself manual for the music business. Following the dissolution of Simple Machines for logistic and financial reasons, Toomey and Thomson worked with the indie rock website Insound to launch The Machine, "an online forum dedicated to exploring the possibilities and pitfalls of digital music" from the perspective of indie labels and artists. The Machine ran from 1998 to 2000, and featured interviews with musicians, independent label heads and technologists, including future FMC co-founder Brian Zisk.
In June 2000, Toomey, Thomson, Bracy, McDonough and Zisk released "The Future of Music Manifesto" announcing the formation of Future of Music Coalition.
Toomey served as Executive Director of FMC until 2008, when she left to become the Media and Cultural Policy program officer for the Ford Foundation. Thomson currently serves as FMC Education Director.
Michael Bracy co-founded the independent label Misra Records in 1999. He joined the Future of Music Coalition in July 2001 as its Government Affairs Director. He currently serves as a co-founding emeritus member of FMC and is a partner in the government affairs firm Bracy Tucker Brown & Valanzano.
Walter McDonough is a lawyer and academic with a background in copyright, technology and the independent music industry. As an attorney, he has represented the Dresden Dolls and Mission of Burma, among others. He is currently a co-founding emeritus member of FMC, and serves on the board of performance rights organization SoundExchange.