Funkadelic | ||||
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Studio album by Funkadelic | ||||
Released | February 24, 1970 | |||
Recorded | 1968-1969 | |||
Studio | Tera Shirma Sound Studios, Detroit, Michigan | |||
Genre | Acid rock, psychedelic funk, soul | |||
Length | 46:37 | |||
Label | Westbound | |||
Producer | George Clinton | |||
Funkadelic chronology | ||||
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Professional ratings | |
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Retrospective reviews | |
Review scores | |
Source | Rating |
AllMusic | |
Christgau's Record Guide | C+ |
Pitchfork | 9/10 |
The Rolling Stone Album Guide | |
Spin Alternative Record Guide | 9/10 |
Funkadelic is the debut album by the American funk band Funkadelic, released in 1970 on Westbound Records.
The album showcases a strong bass and rhythm section, as well as lengthy jam sessions, future trademarks of the band. The album contains two remakes of songs from The Parliaments, an earlier band featuring George Clinton: "I'll Bet You" and "Good Old Music".
"Mommy, What's a Funkadelic?" and "What is Soul" contained the beginnings of Funkadelic's mythology, namely that "Funkadelic" and "the Funk" are extraterrestrial in origin but not dangerous. "What Is Soul?" is answered by one of the lyrics describing it as "a ham hock in your corn flakes".
"I Got a Thing, You Got a Thing, Everybody's Got a Thing" was particularly notable for a guitar solo by Rare Earth's Ray Monette.
In conjunction with the release of Funkadelic, Westbound Records circulated a promotional single called "Focus on Funkadelic" to radio stations. The single features six snippets of tracks from the LP.
Mojo later hailed Funkadelic as "the best blues-influenced, warped acid rock you're likely to hear", and The Mojo Collection (2007) called it the band's first album of "spaced-out psychedelic funk".AllMusic's Jason Birchmeier said the recordings are "essentially conventional soul songs in the spirit of Motown or Stax -- steady rhythms, dense arrangements, choruses of vocals -- but with a loud, overdriven, fuzzy guitar lurking high in the mix". He deemed the album "a revealing and unique record that's certainly not short on significance, clearly marking the crossroads between '60s soul and '70s funk".Robert Christgau was less enthusiastic, jokingly referring to Clinton as "someone from Carolina who encountered eternity on LSD and vowed to contain it in a groove"; in reference to "Mommy, What's a Funkadelic?" and "What Is Soul", he wrote "you get high marks for your questions, guys."