From the House of the Dead

From the House of the Dead
Opera by Leoš Janáček
Relief of the composer by Julius Pelikán
Native title	Z mrtvého domu
Librettist	Janáček
Language	Czech
Based on	The House of the Dead by Dostoyevsky
Premiere	21 January 1930 (1930-01-21) National Theatre, Brno

From the House of the Dead (Z mrtvého domu in Czech) is an opera by Leoš Janáček, in three acts. The libretto was translated and adapted by the composer from the novel by Dostoyevsky. It was the composer's last opera, premiered on 12 April 1930 in Brno, two years after his death.

Janáček worked on this opera knowing that it would be his last, and for it he broke away from the habit he had developed of creating characters modeled on his love interest Kamila Stösslová, although the themes of loneliness and isolation can clearly be seen as a response to her indifference to his feelings. There is only one female character, and the setting, a Siberian prison, presents a large ensemble cast instead of one or several prominent leads. There is no narrative to the work as a whole, but individual characters narrate episodes in their lives, and there is a "play-within-a-play" in Act 2.

From the House of the Dead was virtually finished when Janáček died. Two of his students, believing the orchestration was incomplete, "filled out" large portions of the score and adapted the ending to be more optimistic in tone. In addition to the work of Bretislav Bakala, Ota Zitek made changes to the text and sequence of events in the opera. Decades later, a version closer to the composer's intentions superseded that version, and it is the one most often heard today. Some productions, however, still use the earlier version's ending to lessen the bleakness of the story.

The opera requires a vast orchestra, including chains as a percussion instrument to evoke the sound of the prisoners.

A Siberian prison camp on a winter morning

The prisoners get up, two get into a dispute, as the rumour is spread that a nobleman will be the new arrival ("Přivednou dnes pána"). He is Alexandr Petrovitch Goryantchikov, a political prisoner. The prison governor interrogates him and orders him to be flogged ("Jak tě nazývají"). The prisoners have found a wounded eagle and tease the bird until the guards order them to their work ("Zvíře! Nedá se!"). The prisoners lament their fate ("Neuvidí oko již"); one of them, Skuratov, recalls his previous life in Moscow ("Já mlada na hodech byla"). Another, Luka Kuzmitch, tells how he incited a rebellion and killed an officer in his first prison camp ("Aljeja, podávej nitku"). Just as he describes his own flogging, Goryantchikov is dragged in, half dead ("Aljeja! Niti!").