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Fritz Wegner


Fritz Wegner (15 September 1924 - 15 March 2015) was an Austrian-born illustrator, resident in the United Kingdom from 1938.

Fritz Wegner was born in Vienna on September 15, 1924 into a family of assimilated Jews. Following the Anschluss, a drawing he made of Adolf Hitler to amuse his classmates enraged a Nazi-supporting teacher at his school. As a result he suffered a terrible beating. His parents arranged for the 13-year-old Fritz to leave Austria, alone, in August 1938 for London. They and his sister were later able to join him in exile.

On the strength of a sketch of a man drawn from memory, he was offered a scholarship to St Martin’s School of Art at the age of 14, together with accommodation in Hampstead Garden Suburb with the family of one of his tutors, George Mansell, who also taught him English. Wegner paid his way by helping in Mansell’s studio.

As Wegner recalled in an interview: “It was an extremely generous thing to do and indeed I lived with them for several years, learning everything I later knew about lettering, penmanship, gilding and the Roman alphabet. That was the start of an early passion, after which I moved on to doing illustrations.” He studied at St. Martins School of Art from 1939 to 1942.

In 1942 he was classified as a “friendly enemy alien” and assigned to war work on the land in Buckinghamshire, gaining further education from his co-workers, mostly conscientious objectors. He also managed to obtain an appointment as poster artist for the Buckinghamshire War Agricultural Committee. While living in Buckinghamshire he met the journalist Janet Barber, who was living in a nearby village and they were married two years later. He also submitted cartoons to the Evening Star and later became a lodger in London with the editor of the paper’s diary column. Establishing himself in London after the war he became a freelance graphic artist.

Wegner began his long career as a freelance illustrator by working for the magazine Lilliput and drawing book jackets for a range of publishers.Hamish Hamilton was the first publishing house to launch him as an illustrator. During a long relationship with the company he worked on book covers and jackets for adult and children’s books, and illustrations for a wide range of children’s books. He drew the covers for the English editions of The Catcher in the Rye (1951) and Raymond Chandler’s The Long Goodbye. He illustrated religious works by Dorothy L. Sayers such as The Story of Noah’s Ark (1956), The Story of Adam and Christ (1953) and The Days of Christ’s Coming, (1960) in a slightly medieval style.


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