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Free World (magazine)

Free World
Editor Louis Dolivet (Ludovic Brecher)
Categories News magazine
Frequency Monthly
Publisher The Free World Association
First issue October 1941 (1941-October)
Final issue December 1946
Company Free World, Inc.
Based in New York City
Language English

Free World (1941–1946) was the monthly magazine of the International Free World Association, published by Free World, Inc. in New York City. It was edited by "Louis Dolivet," an émigré writer, film producer, and alleged Soviet spy born in Romania as Ludovici Udeanu with French citizenship under the alias Ludovic Brecher.Free World was militantly anti-Fascist, articulating the perspective of left-liberal Popular Front intellectuals and international political figures who supported the Allies in World War II and championed the creation of the United Nations as a successor to the failed post-World War I League of Nations.

Alongside academics and journalists from the United States, Britain, Canada, and Mexico, Free World prominently featured the voices of anti-Axis Chinese nationalists as well as exiled leaders from Spain, Italy, France, elsewhere in Europe, Brazil, Chile, and elsewhere in Latin America. An anonymous "Underground Reporter" gave regular updates on the activities of the Free French and other elements of the European resistance. The magazine's editorial position was fundamentally supportive of Soviet foreign policy, usually although not always in a subtle manner. In this respect Free World was related to publications like The Week (1933–1941), a newsletter used by British journalist and Comintern agent Claud Cockburn to wage a disinformation campaign against Nancy Astor's notorious pro-Nazi 'Cliveden set.'

Similar to other left-liberal journals of its era, Free World combined international political analysis, book reviews, and artwork along with occasional fiction and poetry. Freda Kirchwey and others at The Nation had links to Free World, as did Michael Straight and Henry Wallace of The New Republic. It featured contributions from some on the anti-Stalinist left who later became associated with cold war liberalism, and it bore a resemblance to influential journals associated with the New York intellectuals, including The New Leader, Partisan Review, Common Sense, and Commentary (which began in 1945, followed by The Reporter (1949), Encounter (1953), and Dissent (1954)).


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