Frederik Magle

Frederik Magle
Frederik Magle conducting on 20 September 2011, in the DRs Koncerthuset.
Born	Frederik Reesen Magle (1977-04-17) 17 April 1977 (age 39) Stubbekøbing, Denmark
Nationality	Danish
Occupation	Composer, concert organist, pianist

Frederik Reesen Magle (Danish pronunciation: [ˈfʁæðˀʁæɡ̊ˈma̝ʊ̯lə]; born 17 April 1977) is a Danish composer, concert organist, and pianist. He writes contemporary classical music as well as fusion of classical music and other genres. His compositions include orchestral works, cantatas, chamber music, and solo works (mainly for organ), including several compositions commissioned by the Danish Royal Family. Magle has gained a reputation as an organ virtuoso, and as a composer and performing artist who does not refrain from venturing into more experimental projects – often with improvisation – bordering jazz, electronica, and other non-classical genres.

His best-known works include his concerto for organ and orchestra The Infinite Second, his brass quintet piece Lys på din vej (Light on your path), composed for the christening of Prince Nikolai, The Hope for brass band and choir, his symphonic suite Cantabile, and a collection of improvisations for organ titled Like a Flame.

Frederik Magle was born in Stubbekøbing, the son of actress and writer Mimi Heinrich and organist, painter and sculptor Christian Reesen Magle (1925–96). He is the great-nephew of the composer Emil Reesen (his grandmother's brother). Recognized early as a child prodigy, he appeared on television and in the news media at the age of 9.

Magle was educated as a private student of Leif Thybo (composition and music theory), and Ib Bindel (organ). He was taught piano, score reading, and music theory from the age of six. At the age of 16, he was admitted to the Royal Danish Academy of Music, where he was taught music theory by Yngve Jan Trede, but after one and a half years he decided to leave the music academy, explaining that he "could not both study at the conservatory and work independently as a composer at the same time." He later stated that the decision "was difficult, and there was a lot to think through," but that he did not regret it.