Frederick R. Weisman Art Foundation

The Frederick R. Weisman Art Foundation is a non-profit arts foundation located on North Carolwood Drive in the Holmby Hills district of Los Angeles, California. Modern and contemporary artwork in the Frederick R. Weisman collection are displayed in a "living with art—house museum" context, with guided public tours by appointment with the foundation.

Frederick Rand Weisman was the third of five sons born in Minneapolis to Russian immigrants who settled in Minnesota in the 1890s. His father, William, established enterprises in a number of areas, including real estate and the fur industry. Like his father, Frederick Weisman would become a businessman.

Weisman and his wife Marcia Simon, sister of art collector Norton Simon, began collecting art in the late 1940s, starting with the works of American and European postwar artists including Willem de Kooning, Alberto Giacometti, and Mark Rothko. From 1960 to 1964, Marcia Weisman hosted monthly proselytizing classes for novice collectors, taught by Irving Blum and Walter Hopps, whose Ferus Gallery in West Hollywood was the first to show Frank Stella, Ellsworth Kelly, and Roy Lichtenstein in Los Angeles. By the mid-1960s, their collection had become well known. David Hockney portrayed them in a double portrait called California Collectors, now in the Art Institute of Chicago, that has become one of his most famous works. The Weismans were divorced in 1979 and split the collection. While Marcia Simon Weisman donated some of her half to the newly formed Museum of Contemporary Art, Los Angeles, Frederick Weisman established the Frederick R. Weisman Art Foundation in 1982. He said, “Art is a way of life. I live with art, work with art, and fly with art, but most of all I enjoy sharing it.” It is true that he was a passionate collector. But greater than the pleasure of collecting the works of art he loved was his joy in sharing them. He said, “When you are as fortunate as I have been, you have a responsibility to share with others.” Until 1983, Weisman was considering buying a permanent exhibition space in New York for housing or exhibiting the collection. In 1986, Weisman dejectedly withdrew from plans on moving his collection to the Greystone Mansion, after two years of negotiations. Weisman also spoke of constructing a sculpture garden for the Barnsdall Art Park. Like Norton Simon, he later engaged in negotiations with UCLA to be the eventual keeper of his collection and offered to pay the cost of building a museum.

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