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Fred Herko

Fred Herko
Fred Herko.jpg
Born Frederick Charles Herko
(1936-02-23)February 23, 1936
New York City, New York, U.S.
Died October 27, 1964(1964-10-27) (aged 28)
New York City, New York, U.S.
Other names Freddie Herko
Freddy Herko

Frederick Charles "Freddie" Herko (February 23, 1936 – October 27, 1964) was an artist, musician, actor, dancer, choreographer and teacher.

Herko studied piano at the Juilliard School and classical ballet under Valentina Pereyaslavec at the American Ballet Theater School. He took additional dance classes with Merce Cunningham and James Waring. In the late 1950s he was a regular member of James Waring's dance company and also danced with Katherine Litz and Aileen Passloff. He was a member of the Judson Dance Theater, contributing two pieces to the group's inaugural concert on July 6, 1962. He performed in Frank O'Hara’s Love's Labor and several of Andy Warhol’s earliest films including: Haircut (No. 1), Kiss, The Thirteen Most Beautiful Boys, and Rollerskate (also known as Dance Movie).

Herko was associated with a group of habitués to Warhol’s Silver Factory on 47th Street including Ondine, Rotten Rita, and Billy Name. Nicknamed “mole people” on account of their intensive speed usage and subterranean habits — “mole because they were known to be tunneling towards some greater insanity that no one but this inner circle was aware of” — members of this group performed their manias and drug routines in a life/art blurring spectacle in crash pads and stages throughout the city. They are best remembered for their roles in many of Warhol's experimental films.

Herko was a close friend of Diane di Prima, who writes of him in her biography Recollections of my Life as a Woman. She met him in 1954 as he sat on a bench in the rain in Washington Square Park. He was “crying because autumn always made him sad.” Later he would tell Diane that, “He needed speed to push his body so he could dance the way he wanted to. He felt otherwise he didn’t have a chance; he had come to dancing too late in life to make it work for him.”


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