Franz Kraus

Franz Kraus (also known as Franz Krausz; 13 May 1905, Sankt Pölten, Austria – 1998, Tel Aviv, Israel) was an Israeli graphic designer.

1910–23, Kraus grew up in Graz, Austria, and claimed that his favorite place was the art studio of brother Emil Kraus. (Emil went on to study at the Akademie der bildenden Künste in Vienna and at Alexander Archipenko's own art school in Berlin, and became a prominent member of the Sezession Graz. Emil's twin brother immigrated to the United States in 1939. Their other brother, Otto, died in one of the Nazi concentration camps in the 1940s, and Emil under unknown circumstances in Paris.) Franz's first employment, arranged by his father, was as a window decorator of the bookstore of the Löwit-Verlag, a major publisher in Vienna. He had settled in Vienna in 1923 at age 18, where he resided for three years. As a Jew, his interest in Zionist issues began to develop and was encouraged by his reading the speeches of Chaim Weizmann and Ze'ev (Vladimir) Jabotinsky.

Kraus lived in Berlin 1926–33, where he eventually assumed the position of the sole graphic designer of the Friedrich Ernst Hübsch-Verlag (publisher). The job fulfilled his early desire to become an artist; he had envied brother Emil's talent. As a night student, he studied in the Reimann Schule in Berlin, the city where he met his wife-to-be Anni. Due to the frightening public antisemitic incidences there, he and Anni decided to immigrate to Palestine. They spent a year, 1933–34, in Barcelona (arriving there from Paris) where Franz designed Hollywood-film posters. Anni was a photographer for a German journalist whose wife was Jewish, a circumstance which possibly supported the association. Because there was no rabbi or an active synagogue in Barcelona, they could not be married as Austrian citizens and were rather wed in a civil ceremony at the German embassy. Fortunately, through a generous uncle of Anni, they were able to buy visas to Palestine, sailing from Marseille to the port of Jaffa, arriving October 1934.

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