Franz Kamin (May 25, 1941 – April 11, 2010) was a prolific American author, composer, poet, performance-installation artist, and pianist whose works explore structural principles derived from topology, general systems theory, prosody, and meditational processes in unusual combinations of genre and technique. He made use of conventional instruments and children’s toys; sound poetry and puppet theater; choreography and speaking chorus; systematic chance operations and both programmed and otherwise uncommon improvisation; performance scribbling and the live reading of narrative texts.
Born in Milwaukee, Kamin studied composition at the University of Oklahoma with Spencer Norton, and at Indiana University with Roque Cordero, where he also studied piano with Alfonso Montecino. While at IU, Kamin, together with fellow composer James Brody organized FIASCO, an experimental collective which meet weekly in Bloomington from 1966 to 1972. Among his compositions from this period was "The Concert of Doors", a synaesthetic work in which a number of doors, each of vastly differing design, some found, some constructed, ranging from comical to mysterious, were set on a path through a woods to be traversed by the audience-participants. Kamin moved to New York City in the 1970s and collaborated with cellist Charlotte Moorman, a fixture in the downtown avant-garde scene at that time. He eventually settled in Saint Paul, Minnesota, where he remained for the rest of his life.
Kamin published two books full books of trans-genre work: Ann-Margret Loves You & Other Psychotopological Diversions (1980) and Scribble Death (Station Hill Press: Barrytown, New York). Several of his shorter works, musical scores and an LP recording of Behavioral Drift II and Rugugmool have also been published.