Francis Kirkman (1632 – c. 1680) appears in many roles in the English literary world of the second half of the seventeenth century, as a publisher, bookseller, librarian, author and bibliographer. In each he is an enthusiast for popular literature and a popularising businessman, described by one modern editor as "hovering on the borderline of roguery".
Francis Kirkman was the eldest son of Francis Kirkman senior (1602–61), who was a member of the Blacksmith's Company and a citizen of the City of London. Little is known of the younger Kirkman's life beyond his publications. He wrote The Unlucky Citizen (1673), which is taken to be autobiographical, though Kirkman was anything but reliable. However, the part in which he refers to his discovery of literature rings true, and is a good example of his style and enterprise.
Once I happened upon a Six Pence, and having lately read that famous Book, of the Fryar and the Boy, and being hugely pleased with that, as also the excellent History of the Seven Wise Masters of Rome, and having heard great Commendation of Fortunatus, I laid out all my mony for that, and thought I had a great bargain ... now having read this Book, and being desirous of reading more of that nature; one of my School-fellows lent me Doctor Faustus, which also pleased me, especially when he travelled in the Air, saw all the World, and did what he listed.... The next Book I met with was Fryar Bacon, whose pleasant Stories much delighted me: But when I came to Knight Errantry, and reading Montelion Knight of the Oracle, and Ornatus and Artesia, and the Famous Parisimus; I was contented beyond measure, and (believing all I read to be true) wished my self Squire to one of these Knights: I proceeded on to Palmerin of England, and Amadis de Gaul; and borrowing one Book of one person, when I read it my self, I lent it to another, who lent me one of their Books; and thus robbing Peter to pay Paul, borrowing and lending from one to another, I in time had read most of these Histories. All the time I had from School, as Thursdays in the afternoon, and Saturdays, I spent in reading these Books; so that I being wholly affected to them, and reading how that Amadis and other Knights not knowing their Parents, did in time prove to be Sons of Kings and great Personages; I had such a fond and idle Opinion, that I might in time prove to be some great Person, or at leastwise be Squire to some Knight.
As will be seen Kirkman’s enthusiasm for some of these books led him to publish them himself. He claims to have been forbidden to travel or be apprenticed into the book trade, and to have run away from the first scrivener to whom he was apprenticed.
Upon being apprenticed to another scrivener he installed his collection of novels and plays in his office, before selling many of them to finance the publication of his own translation of the sixth book of Amadis de Gaul (1652). It is characteristic that Kirkman's first publication was his own extension of a work already popular. His entrepreneurial talents were always directed towards the popular, or vulgar, end of the book trade. Although he became a freeman of the Blacksmith's Company he was never a member of the Stationers' Company.