Francis Johnson | |
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Posing in Philadelphia
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Background information | |
Birth name | Francis Johnson |
Also known as | Frank Johnson |
Born | June 16, 1792 Martinique, West Indies |
Died | April 6, 1844 Philadelphia, Pennsylvania |
Occupation(s) | Musician, teacher |
Instruments | bugle, violin |
Years active | 1810s–1844 |
Francis "Frank" Johnson (June 16, 1792 – April 6, 1844) was an American musician and prolific composer during the Antebellum period. African American composers were rare in the U.S. during this period, but Johnson was among the few who were successful. Performing as a virtuoso of the (now rare) keyed Kent bugle and the violin, he wrote more than two hundred compositions of various styles—operatic airs, Ethiopian minstrel songs, patriotic marches, ballads, cotillions, quadrilles, quicksteps and other dances. Only manuscripts and piano transcriptions survive today.
Johnson was the first African American composer to have his works published as sheet music. He also was the first African American to give public concerts and the first to participate in racially integrated concerts in the United States. He led the first American musical ensemble to present concerts abroad, and he introduced the promenade concert style to America.
Francis "Frank" Johnson was born in Martinique in the West Indies and immigrated to Philadelphia, Pennsylvania in 1809 by the age of 17. He directed military bands and society dance orchestras, taught music, and performed on the violin and keyed bugle. His early career consisted of performing for balls, parades, and dancing schools. He first became widely known in 1818 when George Willig published Johnson's Collection of New Cotillions. His career flourished in the 1820s, as he performed arrangements of "fashionable" music for most of the major dance functions in Philadelphia. In 1837 Johnson and a small ensemble of African American musicians sailed to England to take part in the celebrations surrounding the ascent of Queen Victoria to the British throne. While there, he was exposed to the promenade concert style. When Johnson returned from England in 1838 he introduced this new style of concert in Philadelphia during the Christmas season.