"Fountain of Sorrow" | ||||||||||
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7-inch DJ promotional mono single label
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Single by Jackson Browne | ||||||||||
from the album Late for the Sky | ||||||||||
B-side | "The Late Show" | |||||||||
Released | 1975 | |||||||||
Format | 7" | |||||||||
Recorded | 1974 | |||||||||
Genre | Rock | |||||||||
Length | 4:37 – 7" version; 6:42 – album version | |||||||||
Label | Asylum Records | |||||||||
Writer(s) | Jackson Browne | |||||||||
Producer(s) | Jackson Browne, Al Schmitt | |||||||||
Jackson Browne singles chronology | ||||||||||
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"Fountain of Sorrow" is a song written and performed by American singer-songwriter Jackson Browne. Released as the second single from his 1974 album Late for the Sky, at 6:42, it was the longest song on the album, and the longest song Browne had yet released ("For Everyman" was approximately 6:20). Two minutes were removed from the single release of "Fountain of Sorrow", but the song still failed to chart on Billboard's Hot 100.
The song is generally assumed to have been inspired by Browne's brief relationship with Joni Mitchell.
Many critics have written of the relationship song (and the album it is from) as reflecting a larger, general zeitgeist for the post-Vietnam War, post-Nixon era Baby Boomer audience, particularly the notable "You've known that hollow sound of your own steps in flight" line in the chorus. "The fondly reflective 'Fountain of Sorrow,' is typical of Browne's ability to make personal experience seem universal," said Gil Asakawa, in Musichound Rock: The Essential Album Guide. Indeed, Joan Baez immediately recorded her own version of the song for her 1975 solo album, Diamonds & Rust, placing it directly in the song listing after her title track, a remembrance song of her relationship with Bob Dylan in the 1960s and 1970s.
In his 1974 Rolling Stone review of Late for the Sky, Stephen Holden wrote that the song "develops parallel themes of sex and nothingness, fantasy and realism, as Browne, looking at the photograph of a former lover, recalls:"
"In the chorus, highly romanticized sexuality becomes a 'fountain of sorrow, fountain of light.' Later in the album the water images are developed into a larger metaphor for death and rebirth," wrote Holden.
Robert Christgau called the song the best on the album: "I admit that the longest is also the best, an intricate extended metaphor called 'Fountain of Sorrow.'"