Foreverly | |||||||||||
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Studio album by Billie Joe Armstrong and Norah Jones |
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Released | November 25, 2013 | ||||||||||
Recorded | 2013 | ||||||||||
Studio | Magic Shop Studio, New York City | ||||||||||
Genre | Folk | ||||||||||
Length | 45:23 | ||||||||||
Label | Reprise | ||||||||||
Billie Joe Armstrong chronology | |||||||||||
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Norah Jones chronology | |||||||||||
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Professional ratings | |
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Aggregate scores | |
Source | Rating |
Metacritic | 71/100 |
Review scores | |
Source | Rating |
AllMusic | |
Alternative Press | |
The A.V. Club | B |
Consequence of Sound | D– |
The Guardian | |
Los Angeles Times | |
The Observer | |
Paste | 7.6/10 |
Rolling Stone | |
The Daily Telegraph |
Foreverly (stylized as foreverly) is a collaborative album by Billie Joe Armstrong, best known as lead singer and guitarist of Green Day, and jazz/pop singer-songwriter Norah Jones. It was released on November 25, 2013, through Reprise Records.
Foreverly is a collection of traditional songs, and is a reinterpretation of the 1958 album Songs Our Daddy Taught Us by The Everly Brothers. It is promoted by the lead single "Long Time Gone". A lyric video for the song was released on November 13, 2013, and was followed by the release of a music video for "Silver Haired Daddy of Mine" five days later.
In an interview with Stereogum, Armstrong said: "It all started with Stevie Wonder. [laughter] We sang together with Stevie Wonder and his band and a whole bunch of people, that’s how Norah and I first met. Then … well, I got into the Everly Brothers’ record a couple years ago and I thought it was just beautiful. I was listening to it every morning for a while off and on. I thought it would be cool to remake the record because I thought it was sort of an obscure thing and more people should know about it, but I really wanted to do it with a woman singing because I thought it would take on a different meaning — maybe broaden the meaning a little bit — as compared to hearing the songs being sung by the two brothers. And so my wife said, 'Why don’t you get Norah Jones to do it?' and I was like, 'Well, I kinda know her.' Well, I mean, we had Stevie Wonder in common. And so I called her and she said yes. So it was kinda like a … well, I keep saying it was kinda like a blind date."
In the studio, Jones and Armstrong were joined by bassist Tim Luntzel and drummer Dan Rieser. The recording started with the first song off Songs Our Daddy Taught Us because they "didn't know where else to begin." Asked about singing harmonies together with Armstrong, Jones said: "I feel like on the first song it started coming together. But it definitely took a minute to get super, super comfortable. But then after hearing what the first song sounded like I thought, 'Oh! It’s gonna be great, it’s gonna be fine.'"