Fop became a pejorative term for a foolish man excessively concerned with his appearance and clothes in 17th-century England. Some of the very many similar alternative terms are: "coxcomb",fribble, "popinjay" (meaning "parrot"), fashion-monger, and "ninny". "Macaroni" was another term, of the 18th century, more specifically concerned with fashion.
A modern-day fop may also be a reference to a foolish person who is excessively concerned about his clothing, luxuries, minor details, refined language and leisurely hobbies. He is generally incapable of engaging in conversations, activities or thoughts without the idealism of aesthetics or pleasures.
The word "fop" is first recorded in 1440, and for several centuries just meant a fool of any kind; the Oxford English Dictionary notes first use with the meaning of "one who is foolishly attentive to and vain of his appearance, dress, or manners; a dandy, an exquisite" in 1672. An early example of the usage is in the restoration drama The Soldier's Fortune, in which a woman dismisses a potential suitor by saying "Go, you are a fop."
The fop was a in English literature and especially comic drama, as well as satirical prints. He is a "man of fashion" who overdresses, aspires to wit, and generally puts on airs, which may include aspiring to a higher social station than others think he has. He may be somewhat effeminate, although this rarely affects his pursuit of an heiress. He may also overdo being fashionably French by wearing French clothes and using French vocabulary. An example of the so-called Frenchified fop is Sir Novelty Fashion in Colley Cibber's Love's Last Shift (1696). Fop characters appear in many Restoration comedies, including sir Fopling Flutter in George Etherege's The Man of Mode, or Sir Fopling Flutter (1676), Aphra Behn's diatribe against politic marriages, The Town Fop (1676, published 1677), and Lord Foppington in The Relapse (1696) by John Vanbrugh. Vanbrugh planned The Relapse around particular actors at the Drury Lane Theatre, including Colley Cibber, who played Lord Foppington. A fop is also referred to as a "", as in the Restoration comedies The Beaux' Stratagem (1707) by George Farquhar, The Beau Defeated (1700) by Mary Pix, or the real-life Beau Nash, master of ceremonies at Bath, or Regency celebrity Beau Brummell. The sexual recklessness of "beau" may imply homosexuality.