Focus (jazz album)
| Focus | ||||
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| Studio album by Stan Getz | ||||
| Released | Late January 1962 | |||
| Recorded | July 14, 1961 (#1-3) July 28, 1961 (#4-7; strings) Webster Hall, New York City September-October 1961 (#2-7; Getz's parts) Location unknown |
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| Genre | Cool jazz, third stream | |||
| Length | 38:13 original LP 43:41 CD reissue |
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| Label |
Verve V6-8412 |
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| Producer | Creed Taylor | |||
| Stan Getz chronology | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| Down Beat |  |
| Allmusic |  |
| The Rolling Stone Jazz Record Guide | |
Focus is a jazz album recorded in 1961, featuring Stan Getz on tenor saxophone with a string orchestra. The album is a suite which was originally commissioned by Getz from composer and arranger Eddie Sauter. Widely regarded as a high point for both men's careers, Focus was described by Getz as his favorite of all his recordings. The pair would next collaborate on their soundtrack to the 1965 film Mickey One.
As noted in the booklet for the 1997 CD reissue, Sauter's orchestration did not include melodies for Getz. Rather, Sauter left spaces in the arrangements in which Getz would improvise. Documentation for the recording dates is incomplete, but the CD booklet reports that those involved in the original sessions recall that Getz recorded live with the strings on about half the songs, while he overdubbed sax solos on the others.
The theme of the opening track, "I'm Late, I'm Late", is nearly identical to the opening minutes of the second movement of Béla Bartók's Music for Strings, Percussion and Celesta. Bartók had been an early supporter of Sauter, who intended the track as an homage. "I'm Late, I'm Late" also features drummer Roy Haynes, the album's only soloist beside Getz.
The Penguin Guide to Jazz selected this album as part of its suggested "Core Collection" stating "Nobody ever arranged for Getz as well as this, and Sauter's luminous and shimmering scores continue to bewitch". Similarly, critic Stephen Cook describes Focus as "admittedly Getz's most challenging date and arguably his finest moment".
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Wikipedia