Florence Fuller
| Florence Fuller | |
|---|---|
Pen portrait of Florence Fuller, 1897
|
|
| Born | 1867 Port Elizabeth, British Cape Colony (now South Africa) |
| Died | 17 July 1946 (aged 78–79) Gladesville, New South Wales |
| Education | |
| Known for | Painting |
| Notable work |
|
Florence Ada Fuller (1867 – 17 July 1946) was a South African-born Australian artist. Originally from Port Elizabeth, Fuller migrated as a child to Melbourne with her family. There she trained with her uncle Robert Hawker Dowling and teacher Jane Sutherland and took classes at the National Gallery of Victoria Art School, becoming a professional artist in the late 1880s. In 1892 she left Australia, travelling first to South Africa, where she met and painted for Cecil Rhodes, and then on to Europe. She lived and studied there for the subsequent decade, except for a return to South Africa in 1899 to paint a portrait of Rhodes. Between 1895 and 1904 her works were exhibited at the Paris Salon and London's Royal Academy.
In 1904, Fuller returned to Australia, living in Perth. She became active in the Theosophical Society and painted some of her best-known work, including A Golden Hour, described by the National Gallery of Australia as a "masterpiece" when it acquired the work in 2013. Beginning in 1908, Fuller travelled extensively, living in India and England before ultimately settling in Sydney. There, she was the inaugural teacher of life drawing at the School of Fine and Applied Arts, established in 1920 by the New South Wales Society of Women Painters. She died in 1946.
Highly regarded during her active career as a portrait and landscape painter, by 1914 Fuller was represented in four public galleries—three in Australia and one in South Africa—a record for a woman who was an Australian painter at that time. In 1927 she began almost twenty years of institutionalization in a mental asylum, however, and her death went without notice. After her death, information about her was frequently omitted from reference books about Australian painters and knowledge of her work became obscure despite her paintings being held in public art collections including the Art Gallery of South Australia, the Art Gallery of Western Australia, the National Gallery of Australia, the National Gallery of Victoria, the Art Gallery of New South Wales and Australia's National Portrait Gallery.
...
Wikipedia