Flesh (1968 film)
| Flesh | |
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| Directed by | Paul Morrissey |
| Produced by | Andy Warhol |
| Written by | Paul Morrissey |
| Starring |
Joe Dallesandro Geraldine Smith |
| Cinematography | Paul Morrissey |
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Release date
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Running time
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105 min |
| Country | United States |
| Language | English |
| Budget | $4,000 |
Flesh (alternate title: Andy Warhol's Flesh) is a 1968 film directed by American filmmaker Paul Morrissey.
Flesh is the first film of the "Paul Morrissey Trilogy" produced by Andy Warhol. The other films in the trilogy include Trash and Heat. All three have gained a cult following and are noted examples of the ideals and ideology of the time period.
The film stars Joe Dallesandro as a hustler working on the streets of New York City. The movie highlights various Warhol superstars, in addition to being the film debuts of both Jackie Curtis and Candy Darling. Also appearing are Geraldine Smith as Joe's wife and Patti D'Arbanville as her lover.
As the film begins, Geraldine ejects Joe from their bed and insists he go out on the streets to make some money for her girlfriend's abortion. This leads to Joe's various encounters with clients, including an artist who wishes to draw Joe, played by Maurice Braddell, Louis Waldon as a gymnast, and John Christian.
Scenes filmed on the streets of New York City show Joe spending time with other hustlers, one of which is played by his real life brother, and teaching the tricks of the trade to the new hustler, played by Barry Brown. The film includes a scene of Joe interacting with his real life one-year-old son. Flesh concludes with Joe in bed with Geraldine Smith and Patti D'Arbanville. The women strip Joe and begin to get intimate with each other. In turn, Joe gets bored and falls asleep.
Warhol and Morrisey conceived Flesh while Warhol was convalescing following the attempt on his life by Valerie Solanas. John Schlesinger was filming Midnight Cowboy, which featured several members of Warhol's entourage, including Viva and Ultra Violet who, with Morrisey, shot a separate short film during shooting of Midnight Cowboy's elaborate party scene. Warhol initially endorsed the participation of his people but grew resentful at what he perceived as Schlesinger's poaching of Warhol's scene. Warhol decided to undercut Schlesinger by filming his own story about a male prostitute.
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