Flaming Youth (film)
| Flaming Youth | |
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Lobby card
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| Directed by | John Francis Dillon |
| Produced by | John McCormick |
| Written by | Harry O. Hoyt (scenario) |
| Based on |
Flaming Youth by Samuel Hopkins Adams |
| Starring |
Colleen Moore Milton Sills Elliott Dexter |
| Cinematography | James Van Trees |
| Distributed by | Associated First National |
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Release date
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Running time
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90 minutes |
| Country | United States |
| Language | Silent (English intertitles) |
Flaming Youth is a 1923 American silent drama film starring Colleen Moore and Milton Sills. The film was produced and distributed by Associated First National and directed by John Francis Dillon. Flaming Youth is based on the novel Flaming Youth by Samuel Hopkins Adams.
The film is now considered partially lost. One reel survives and is housed at the Library of Congress.
When Mona Frentiss dies, she has her confidante "Doctor Bobs" watch over her family, especially her youngest daughter Patricia. The family has been raised in a most unconventional manner, with Mona having a much younger lover and the father Ralph keeping his own lover on the side. As Patricia grows older, she attracts the attention of her mother's former lover, the much older (than Patricia, who in the book is in her early to mid teens) Carey Scott. Patricia tempts fate with her wild ways, nearly loses her virtue to a musician aboard an ocean-going boat, and is saved in time by Carey. Realizing that he is the man for her, she settles down into an experimental marriage.
There had been several films prior to Flaming Youth which used the flapper as subject matter, most famously, The Flapper with Olive Thomas. However, Flaming Youth was the one that best captured the imagination of the American public, because it was based on a scandalous book and because it featured Colleen Moore, who was already a well-known and respected dramatic actress who had been looking for a break-out role at the time she signed with First National.
The film's marketing played up the racier aspects of the story, and a "skinny-dipping" sequence shot in silhouette (which still largely survives in the Library of Congress) was used in the films advertising extensively. The ads also boasted "neckers, petters, white kisses, red kisses, pleasure mad daughters, [and] sensation craving mothers." The book contained adult subjects which were largely glossed over in the film. To counter potential negative backlash, a good deal of humor was injected into the film, so that many audiences thought the film was actually a burlesque of the whole flapper movement when, in fact, it was intended to be a dramatic film.
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