Flagellation of Christ

The Flagellation of Christ, sometimes known as Christ at the Column or the Scourging at the Pillar, is a scene from the Passion of Christ very frequently shown in Christian art, in cycles of the Passion or the larger subject of the Life of Christ. It is the fourth station of the modern alternate Stations of the Cross, and a Sorrowful Mystery of the Rosary. The column to which Christ is normally tied, and the rope, scourge, whip or birch are elements in the Arma Christi. The Basilica di Santa Prassede in Rome, claimed to possess the original column.

Flagellation at the hands of the Romans is mentioned in three of the four canonical Gospels: John 19:1, Mark 14:65, and Matthew 27:26, and was the usual prelude to crucifixion under Roman law. None of three accounts are more detailed than John's "Then Pilate took Jesus and had him flogged" (NIV). Luke's comparable account, Luke 22:63-65 is of the High Priest's guards beating and mocking Jesus. In the Passion of Christ the episode precedes the Mocking of Christ and the Crowning with thorns, which the Gospels happened at the same time or immediately after. Unlike the flogging, these were not part of the normal Roman judicial process.

It first appears in art in the West in the 9th century. It is almost never found in Byzantine art, and remains very rare in Eastern Orthodox art at any date. Initially found in illuminated manuscripts and small ivories, there are surviving monumental wall-paintings from around 1000 in Italy. From the start there are most often three figures, Christ and two servants of Pontius Pilate who whip him. In early depictions Christ may be naked, or wearing a long robe, facing out or seen from behind; from the 12th century it is standard that Christ wears a loincloth (perizoma) and faces out towards the viewer. Christ's face is normally visible, giving artists the "technical problem of showing him receiving the strokes on his back - the usual place - while at the same time leaving his face visible. Often he appears to be receiving the strokes on the front of his body.

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