Five Days, Five Nights (1960 film)
| Five Days, Five Nights | |
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| Directed by |
Lev Arnshtam Heinz Thiel Anatoly Golovanov |
| Produced by | Otman Karayev, Adolf Fischer |
| Written by |
Lev Arnshtam Wolfgang Ebeling |
| Starring | Wilhelm Koch-Hooge Annekathrin Bürger Erich Franz Heinz-Dieter Knaup Evgenia Kozireva |
| Music by | Dmitri Shostakovich |
| Cinematography |
Yu-Lan Chen Aleksandr Shelenkov |
| Edited by | Tatyana Likhacheva |
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Production
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| Distributed by | PROGRESS-Film Verleih (GDR) |
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Release date
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Running time
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106 minutes |
| Country | Soviet Union East Germany |
| Language | Russian, German |
Five Days, Five Nights (Russian: Пять дней, пять ночей, translit. Pyat Dney, Pyat Nochei; German: Fünf Tage, Fünf Nächte) is a 1961 joint Soviet–East German film, directed by Lev Arnshtam and Heinz Thiel.
On 8 May 1945, the day of Germany's surrender at the end of World War II, exiled communist Erich Braun returns along with the Red Army to his native city of Dresden, only three months after it was devastated in aerial bombardment. He aids a group of Soviet soldiers to recover the art of the Old Masters Picture Gallery from the ruins of the Zwinger Palace. During the next five days, while searching for the collection, he encounters several of the city's residents who have also returned from the war. Although they distrust the Soviets at first, they eventually assist them to recover the pictures.
The picture's plot was inspired by the recovery of the art of the Old Masters Picture Gallery through the hands of Soviet troops in 1945. The art collection was then taken to the USSR, where it was kept until being returned to the Dresden Gallery during 1960. The film was the first Soviet–East German co-production in the field of cinema.
Five Days, Five Nights sold more than two million tickets in the German Democratic Republic.
The film critic of Der Spiegel described the picture as "making no claim to document history truthfully", while also quoting Walter Ulbricht, who called it "a great work of the Working Class" and a monument to Soviet–East German friendship. The Die Zeit reviewer wrote: "the film portrays the Germans quite objectively. But the Soviets? We could only wish for it. Although we well realize that could not have been as they are depicted: noble, faultless and helpful."
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