Fisher's Ghost (film)

Fisher's Ghost is a 1924 Australian silent film directed by Raymond Longford based on the legend of Fisher's Ghost. It is considered a lost film.

The film is set in 1820s New South Wales. Two transported convicts,George Worrall and Frederick Fisher, are released and take up farms at Campbelltown. They are both successful and become friends. Worrall persuades Fisher to go on a trip to England and says he will manage Fisher's farm. A few months later, Worrall goes to an estate agent with a letter from Fisher saying that he has decided to stay in England and has instructed Worrall to sell his farm.

In 1826, a settler called Farley sees an apparition who purports to be Fisher sitting on a three rail fence. This apparition claims he was murdered by Worrall and later indicates where Fisher's body lays. Worrall is arrested at his wedding to a girl who does not return his affections. He is tried, convicted and sentenced to death. He eventually confesses to the crime.

Raymond Longford and Lottie Lyell, in association with Charles Perry, formed a new company together: Longford-Lyell Productions. Fisher's Ghost marks the production company's first film. It was shot on location in Campbelltown, and Longford sought the advice of Campbelltown residents and also explored the records on the subject from the local Mitchell Library. The film was completed by August 1924.Fisher's Ghost, The Bushwhackers (1925), and Peter Vernon's Silence (1925) were the only three films produced by Longford-Lyell Productions as the company had already entered liquidation in June 1924, even before the film's release. Although Lottie Lyell and Raymond Longford created many films together, Fisher's Ghost and The Bushwhackers are the only films for which Lyell received credit as scriptwriter and assistant director before her death from tuberculosis in 1925.

The film is attributed to being one of the earliest and influential Australian horror films, paving the way for the resurgence of the genre in the 1970s after the Australian government began funding their movie industry.

Union Theaters rejected the film be released in their Sydney theaters because their managing director, Stuart F. Doyle, claimed the film was "too gruesome" for the public. The film was shown in Hoyt theaters and yielded ₤1,300 in its first week of screenings.