Fingered tremolo

In music, tremolo (Italian pronunciation: [ˈtrɛːmolo]), or tremolando ([tremoˈlando]), is a trembling effect. There are two types of tremolo.

The first is a rapid reiteration:

A second type of tremolo is a variation in amplitude:

Some electric guitars use a (misnamed) lever called a "tremolo arm" or "whammy bar" that allows a performer to lower or raise the pitch of a note or chord, which is known as vibrato or "pitch bend". This non-standard use of the term "tremolo" refers to pitch rather than amplitude. True tremolo for an electric guitar, electronic organ, or any electronic signal would normally be produced by a simple amplitude modulation electronic circuit. Electronic tremolo effects were available on many early guitar amplifiers. Tremolo effects pedals are also widely used to achieve this effect.

Although it had already been employed as early as 1617 by Biagio Marini and again in 1621 by Giovanni Battista Riccio, the bowed tremolo was invented in 1624 by the early 17th-century composer Claudio Monteverdi and, written as repeated semiquavers (sixteenth notes), used for the stile concitato effects in Il combattimento di Tancredi e Clorinda. The measured tremolo, presumably played with rhythmic regularity, was invented to add dramatic intensity to string accompaniment and contrast with regular tenuto strokes. However, it was not till the time of Gluck that the real tremolo became an accepted method of tone production. Four other types of historical tremolos include the obsolete undulating tremolo, the bowed tremolo, the fingered tremolo (or slurred tremolo), and the bowed-and-fingered tremolo.

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