Finding Nemo (franchise)
| Finding Nemo | |
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| Creator | Pixar |
| Films and television | |
| Films |
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| Short films |
Exploring the Reef (2003)
Marine Life Interviews (2016) |
| Theatrical presentations | |
| Musicals | Finding Nemo – The Musical (2007–present) |
| Games | |
| Video games |
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| Audio | |
| Soundtracks |
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| Miscellaneous | |
| Theme park attractions |
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* Work where this franchise's characters or settings appeared as part of a crossover. ** Pavilion opened in 1986 as The Living Seas. |
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Marine Life Interviews (2016)
* Work where this franchise's characters or settings appeared as part of a crossover.
Finding Nemo is a CGI animated film series and Disney media franchise that began with the 2003 film, Finding Nemo, produced by Pixar and released by Walt Disney Pictures. The original film was followed by a sequel, Finding Dory, released in 2016. Both films are directed by Andrew Stanton.
Finding Nemo is the fifth Pixar film. The film tells the story of a clownfish named Nemo (Alexander Gould) who gets abducted, his over-protective father Marlin (Albert Brooks) who, along with a regal tang named Dory (Ellen DeGeneres), searches for him all the way to Sydney Harbour. Along the way, Marlin learns to take risks and let Nemo take care of himself.
Finding Dory is the seventeenth Pixar film. The film focuses on the amnesiac character Dory, and explores the idea of her being reunited with her family. It takes place one year after Finding Nemo and is set off the coast of California.
Director Andrew Stanton commented in June 2016 about a possibility of a third Finding Nemo film, "I really do feel like this was the missing piece, emotionally, for the first movie. Now, I’ve stopped saying never for anything because there are a lot of new characters that get introduced and we’ve broadened the universe for this movie. And again, I’m very used to seeing that world continue to open up from the Toy Story movies… so I’ve learned to just say, to my knowledge, I think everything that was born of the first movie is wrapped up. But we’ll see. With any of the other sequels, we strive to try and make it seem like it was inevitable, like it was meant to be, that all these extended stories and journeys with these characters were part of the whole canon. And that's really hard, but it's so satisfying for me when I’m experiencing that, whether it's a great second season of a TV show or another book in a series. It's a small club when it's done successfully. Regardless of how much people may vocalize that they don’t enjoy or wish that there weren’t extensions, sometimes it's really nice to go back and spend more time with these characters if they evolve, if they grow, if they expand. So that, I’m very happy with. I feel like it was just as hard, if not harder, on Finding Dory to get it to feel inevitable and preordained, and that it was always of the larger piece."
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Wikipedia