File Under Popular
First edition cover, November Books, 1984
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| Author | Chris Cutler |
|---|---|
| Illustrator | Graham Keatley Mary Thomas |
| Country | United Kingdom |
| Language | English |
| Subject | Musicology |
| Publisher |
November Books (United Kingdom) Autonomedia (United States) |
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Publication date
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1984 (United Kingdom) 1992 (United States) |
| Media type | Print (Paperback) |
| Pages | 224 pp (United Kingdom) 184 pp (United States) |
| ISBN | |
| OCLC | 12441929 |
File Under Popular: Theoretical and Critical Writings on Music is a collection of seven essays on the political theory of popular music written by English percussionist, lyricist and music theorist, Chris Cutler. The essays were written between 1978 and 1983, four of them in response to requests and the rest unprompted. Two of the essays were first published in two German publications, and two were originally presented by Cutler at two international symposia on popular music. The book was first published in 1984 in London by November Books, the publishing wing of Cutler's independent record label, Recommended Records. It was also published in Polish, German and Japanese.
Rock critic and sociologist Simon Frith described File Under Popular as "A stirringly aggressive antidote to contemporary pop cynicism."
The essays in File Under Popular tackle the subject of "popular music", what it is, its origins and the political and marketing forces behind it. Chris Cutler charts the history of music and how it was changed by written notation and then recording technology. Three of the essays dwell specifically on individual musicians and groups, namely Sun Ra, The Residents, Phil Ochs and Elvis Presley, but their stories are told within the context of the evolution of music. "Necessity and Choice in Musical Forms" is the first sketch of an analytical theory that shows how memory systems underpin the forms that music can take; part III of this essay is a personnel memoir of Cutler's that explains how his former band, Henry Cow functioned outside the music industry and their involvement in the establishment of Rock in Opposition. The last two essays deal with the development of progressive rock in the United Kingdom, its significance and the politics behind it.
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