Discipline | Feminist speculative fiction |
---|---|
Language | English |
Edited by | Batya Weinbaum |
Publication details | |
Publisher | |
Publication history
|
1999–present |
Frequency | Biennial |
Indexing | |
ISSN |
1523-4002 |
LCCN | sn99008204 |
OCLC no. | 55471482 |
Links | |
Feminist science fiction is a subgenre of science fiction (abbreviated "SF") focused on theories that include but are not limited to gender inequality, sexuality, race, economics, and reproduction. Feminist SF is political because of its tendency to critique the dominant culture. Some of the most notable feminist science fiction works have illustrated these themes using utopias to explore a society in which gender differences or gender power imbalances do not exist, or dystopias to explore worlds in which gender inequalities are intensified, thus asserting a need for feminist work to continue.
Science fiction and fantasy serve as important vehicles for feminist thought, particularly as bridges between theory and practice. No other genres so actively invite representations of the ultimate goals of feminism: worlds free of sexism, worlds in which women's contributions (to science) are recognized and valued, worlds that explore the diversity of women's desire and sexuality, and worlds that move beyond gender.
Feminist science fiction (SF) distinguishes between female SF authors and feminist SF authors. Both female and feminist SF authors are historically significant to the feminist SF subgenre, as female writers have increased women's visibility and perspectives in SF literary traditions, while the feminist writers have foregrounded political themes and tropes in their works. Because distinctions between female and feminist can be blurry, whether a work is considered feminist can be debatable, but there are generally agreed-upon canonical texts, which help define the subgenre.
As early as the English Restoration, female authors were using themes of SF and imagined futures to explore women's issues, roles, and place in society. This can be seen as early as 1666 in Margaret Cavendish's The Blazing World, in which she describes a utopian kingdom ruled by an empress. This foundational work has garnered attention from some feminist critics, such as Dale Spender, who considered this a forerunner of the science fiction genre, more generally. Another early female writer of science fiction was Mary Shelley. Her novel Frankenstein (1818) dealt with the asexual creation of new life, and has been considered by some a reimagining of the Adam and Eve story. In the same year, Mary E. Bradley Lane authored Mizora: A Prophecy, where women chemically synthesize food.