Fanny Ardant | |
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Fanny Ardant at the 2004 César awards ceremony.
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Born |
Fanny Marguerite Judith Ardant 22 March 1949 Saumur, Maine-et-Loire, France |
Occupation | Actress |
Years active | 1974–present |
Partner(s) | Dominique Leverd (1975) 1 daughter François Truffaut (1983) 1 daughter Fabio Conversi (1990) 1 daughter |
Fanny Marguerite Judith Ardant (born 22 March 1949) is a French actress. She has appeared in more than eighty motion pictures since 1976. Ardant won the César Award for Best Actress in 1997 for her performance in Pédale douce.
Ardant was born in Saumur Maine-et-Loire, France, to a military attaché father. She grew up in Monaco until age 17 when she moved to Aix-en-Provence to study at the Institut d'études politiques d'Aix-en-Provence. In her early twenties her interest turned to acting and in 1974 she made her first appearance on stage.
By the early 1980s she was a major motion picture star, gaining international recognition for her role opposite Gérard Depardieu in La Femme d'à côté (The Woman Next Door). The film, directed by François Truffaut, brought Ardant her first César Award nomination for best actress in 1982 and in 1984 she was nominated again for Vivement dimanche!. Eventually she became Truffaut's companion, giving birth to their daughter, Joséphine Truffaut, on 28 September 1983. Initially, her youthful beauty brought popularity but over time her sophistication and acting skills have made her one of France's most admired actresses. She proved her versatility, playing a comedic role in Pédale douce for which she won the 1997 César Award for Best Actress.
Fluent in English and Italian, Ardant has starred in several Hollywood and British films. Her most recent English-language film was the Franco Zeffirelli production Callas Forever, in which she portrayed opera diva Maria Callas. It opened the 14th Annual Palm Springs International Film Festival on 9 January 2003. In 2003, Ardant received the Stanislavsky Award at the 25th Moscow International Film Festival (for the outstanding achievement in the career of acting and devotion to the principles of Stanislavsky's school).