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Fair Warning (Van Halen album)

Fair Warning
Van Halen - Fair Warning.jpg
Studio album by Van Halen
Released April 29, 1981
Recorded Early March – Early April 1981
Studio Sunset Sound, Los Angeles
Genre Heavy metal,hard rock
Length 31:11
Label Warner Bros.
Producer Ted Templeman
Van Halen chronology
Women and Children First
(1980)
Fair Warning
(1981)
Diver Down
(1982)
Singles from Fair Warning
  1. "So This Is Love?"
    Released: June 1981
  2. "Unchained"
    Released: July 1981
  • Depending on the country, "Unchained" was backed with either "Sinner's Swing!" or "Push Comes to Shove."
Professional ratings
Review scores
Source Rating
AllMusic 4/5 stars
Robert Christgau (B-)
The Rolling Stone Album Guide 2.5/5 stars

Fair Warning is the fourth studio album by American rock band Van Halen. Released on April 29, 1981, it sold more than two million copies, but was still the band's slowest-selling album of the David Lee Roth era. Despite the album's commercially disappointing sales, Fair Warning was met with mostly positive reviews from critics.

The album was listed by Esquire as one of the 75 Albums Every Man Should Own.

The cover artwork features a detail from The Maze, a painting by Canadian artist William Kurelek which depicts his tortured youth.

The album's cover artwork is accompanied by an insert of a black-and-white picture of the band, as well as a view of a ghetto drywall with a wire running across it, cracked windows at the top and a Roth-era Van Halen logo with plaster cracked over the left wing. Also on the wall is a lyric from the album's opening song, "Mean Street".

The Village Voice's Robert Christgau rated Fair Warning a B-, signifying "a competent or mildly interesting record that will usually feature at least three worthwhile cuts." He stated that it featured "not just Eddie's latest sound effects, but a few good jokes along with the mean ones and a rhythm section that can handle punk speed emotionally and technically." He also explained that "at times Eddie could even be said to play an expressive – lyrical? – role. Of course, what he's expressing is hard to say. Technocracy putting a patina on cynicism".

A retrospective review by AllMusic's Stephen Thomas Erlewine found the album fairly positive. In the review, he initially stated that "it's a dark, strange beast, partially because it lacks any song as purely fun as the hits from the first three records" and that "whatever the reason, Fair Warning winds up as a dark, dirty, nasty piece of work." He went on to say that "dull it is not and Fair Warning contains some of the fiercest, hardest music that Van Halen ever made. There's little question that Eddie Van Halen won whatever internal skirmishes they had, [...] even with the lack of a single dedicated instrumental showcase". He concluded that "nastiness is the defining characteristic of Fair Warning, which certainly doesn't make it bunches of fun, but it showcases the coiled power of Van Halen better than any other album, which makes it worth visiting on occasion."


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