Established | 1948: Dhaka Art School 1963: East Pakistan College of Arts and Crafts 1972: Bangladesh Govt. College of Arts and Crafts 1983: Institute of Fine Arts 2008: Faculty of Fine Arts of the University of Dhaka |
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Location | Dhaka, Bangladesh |
Coordinates | 23°44′09″N 90°23′41″E / 23.7357°N 90.3947°ECoordinates: 23°44′09″N 90°23′41″E / 23.7357°N 90.3947°E |
Address | Shahbag, Dhaka |
The Faculty of Fine Arts (FFA) was established in 1948 as the Dhaka Art School. It was the first art school in the region and became the main centre of art and cultural practice. Since 1956 it has been situated in Shahbag, Dhaka, close to the Bangladesh National Museum. Architect Muzharul Islam designed the building. In 2008, the institute took its current name when it became one of the faculties of the University of Dhaka.
With the leadership of Shilpacharya Zainul Abedin the eminent artists Anwarul Huq, Quamrul Hasan, Khawaja Shafique Ahmed, Safiuddin Ahmed and Habibur Rahman started the Government Institute of Arts and Crafts in DNMI Hospital building at Jonson road in Dhaka.
At the moment of its beginning there were six teachers along with Zainul Abedin as the Principal and eighteen students. The activities of this institute started with three departments: Fine arts (at present Drawing and Painting), Commercial art (at present Graphic Design) and Graphic art (at present Printmaking). In 1952 the institute moved to a building at Segun Bagicha and then in 1956 it moved to its own building at Shahbag.
In 1963 the institute turned into Government Degree College and was named East Pakistan College of Arts and Crafts. After independence of Bangladesh this college was named Bangladesh College of Arts and Crafts. M.F.A. course has been started here since 1978. Art History department started MFA course in 1991 and honors course in 2001. In 1983 this college merged as institute in Dhaka University. Honors course has been started since 1992-93 session. The institute was turned into a Faculty of Fine Arts of the University of Dhaka in 2008.
After the institute was established,within a few years, however, it became quite apparent that what was started only as a training centre had assumed a far greater role, for it quickly became a meeting place for all aspiring artists and a forum from which a new art movement could be launched. The faculty and students of the institute were in touch with what was happening in the West. Many teachers went to Europe and Japan for training and came back with new ideas; but they were also steeped in the traditions of indigenous and folk art and art forms. The West played a formative influence in sharpening their sensibilities, but their firm root protected them from losing their sense of direction and becoming mere imitators of western art. This ability to balance and blend the very best elements of local and foreign art has been a strong point for Bangladeshi artists. Over the fifty years since the inception of the Art Institute, Bangladeshi art has made remarkable progress. The training provided to its students gave them the freedom to develop their own talents in keeping with their dominant inclinations. The heritage of the Bengal school was closely followed by the students of oriental art, while folk forms found their way in the work of many artists (including the founding teachers Zainul Abedin and Qamrul Hassan).