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Factsheet 5

Factsheet Five
FactsheetFiveCover.jpg
Factsheet Five #25, February 1988, featuring cover art by Freddie Baer
Editor Mike Gunderloy ("Æditor", 1982–1991)
Hudson Luce (1991)
R. Seth Friedman (1992–1998)
Categories Zine reviews & culture
Frequency quarterly (varied)
Circulation 10,500/issue (1991)
Publisher Mike Gunderloy (1982–1991)
Hudson Luce (1991)
R. Seth Friedman (1992–1998)
First issue 1982
Company Pretzel Press (?-1991)
Country United States of America
Language English
Website factsheet5.org
ISSN 0890-6823

Factsheet Five was a periodical mostly consisting of short reviews of privately produced printed matter along with contact details of the editors and publishers.

In the 1980s and early 1990s, its comprehensive reviews (literally thousands in each issue) made it the most important publication in its field, heralding the wider spread of what would eventually be called fanzine or zine culture.

Before the widespread adoption of the web and e-mail beginning around 1994, publications such as Factsheet Five formed a vital directory for connecting like-minded people. It was the literary equivalent to such phenomena as International Sound Communication in the period of cassette culture.

The magazine was originally published in 1982 by Mike Gunderloy on a spirit duplicator in his bedroom in a slanshack in Alhambra, California. The original focus was science fiction fanzines (the title comes from a short story by science fiction author John Brunner), but it included other reviews. Bob Grumman contributed a regular column on avant-garde poetry from 1987 to 1992.

Gunderloy later moved to Rensselaer, New York, where he continued to publish. By 1987, he was running a zine BBS, one of the first associated with an underground publication. In 1990, Cari Goldberg Janice and (briefly) Jacob Rabinowitz joined as co-editors. Gunderloy quit publishing Factsheet Five following the completion of Issue #44 in 1991.

Hudson Luce purchased the rights to Factsheet Five and published a single issue, Issue #45, with the help of BBS enthusiast Bill Paulouskas, cartoonist Ben Gordon, writer Jim Knipfel, and artist Mark Bloch, who had authored a mail art-related column called "Net Works" during the Gunderloy years.


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