Eyes That See in the Dark | ||||
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Studio album by Kenny Rogers | ||||
Released | August 30, 1983 | |||
Recorded | May 1983 at Middle Ear, Miami Beach, Lion and Ocean Recording, Los Angeles | |||
Genre | Country, roots rock, folk rock, adult contemporary | |||
Length | 39:56 | |||
Label | RCA Nashville | |||
Producer | Gibb-Galuten-Richardson | |||
Kenny Rogers chronology | ||||
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Singles from Eyes That See in the Dark | ||||
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Allmusic |
Eyes That See in the Dark is the fifteenth studio album by Kenny Rogers, first released by RCA Nashville in August 1983.
Eyes That See in the Dark marks Barry Gibb's third production project of the 1980s outside of the Bee Gees. Gibb wrote most of the songs that were more reminiscent of Rogers' days with the First Edition.
Just after Barry Gibb contributed producing the Heartbreaker album, he and Rogers met later in the year and it was then that Rogers asked about some songs and that song was the title track. The other songs in this album was written in late 1982 and recorded in early 1983. Gibb recorded demos for Rogers while working with the Bee Gees for the 1983 film Staying Alive until April 1983, as Rogers started to record this album in May the same year. Also in 1983, when Maurice participated in Robin Gibb's album How Old Are You?.
The album, Rogers' first for RCA Nashville, was issued while his previous effort on Liberty Records We've Got Tonight was still in the charts and had to compete with singles from that still being issued by his previous label.
The finished instrumental tracks were dubbed onto the demos, and some of the guitar, bass, and synthesizer on the demos is heard in the completed mix. Ron Ziegler had to dub drums exactly in time with the drum machine used on the demos. Some of the musicians had also played on all of Andy Gibb's albums, Tim Renwick, George Terry, and Ron Ziegler. Barry and Maurice Gibb with Albhy Galuten appear both from the demo tracks and new recordings. "Islands in the Stream" was not a duet and Rogers was not happy with the recording and only after Dolly Parton was brought in and recorded the song as a duet did the song take off.