Exit to Eden (film)
| Exit To Eden | |
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Theatrical release poster
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| Directed by | Garry Marshall |
| Produced by | Garry Marshall Edward K. Milkis |
| Written by | Deborah Amelon Bob Brunner |
| Based on |
Exit to Eden by Anne Rampling |
| Starring | |
| Music by | Patrick Doyle |
| Cinematography | Theo van de Sande |
| Edited by | David Finfer |
| Distributed by | Savoy Pictures |
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Release date
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Running time
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114 minutes |
| Country | United States |
| Language | English |
| Budget | $25-30 million |
| Box office | $6,841,570 |
Exit to Eden is a 1994 American comedy-thriller film directed by Garry Marshall and adapted to the screen by Deborah Amelon and Bob Brunner from Anne Rampling's novel of the same name. The original music score was composed by Patrick Doyle.
Dana Delany stars as Lisa Emerson (named Lisa Kelly in the book) and Paul Mercurio plays Elliot Slater. Half of the film consists of a new comedic detective story line written by the director. Several new characters were also created, including Dan Aykroyd and Rosie O'Donnell as police officers pursuing diamond thieves to the Eden resort.
Elliot Slater is a young, attractive, Australian professional photographer living in Southern California. Having always been uncomfortable with his sexual proclivities, which tend toward the BDSM realm, he signs up for a dominatrix-themed vacation on a private tropical island known as "Eden" in the hopes of working through his discomfort.
Unbeknownst to him, before embarking on his journey of sexual discovery, he has unwittingly photographed an international jewel thief of whom no other photos exist. The jewel thief Omar and his criminal partner Nina are intent on recovering the film in order to retain Omar's anonymity.
They follow the photographer to the island resort run by the dominatrix Mistress Lisa Emerson, posing as vacationers. Following a tip that Omar is on the island, undercover police officers Fred Lavery and Sheila Kingston also arrive, Sheila in the guise of a vacationer and Fred as a handyman.
Comedic antics ensue amid the activities of scantily clad guests and employees, acting out their dominant and submissive fantasies.
In the course of Elliot's experiences as Mistress Lisa's personal submissive, including a scene where she ties him up and fondles his naked body (especially, his bare buttocks), the two begin to fall in love. The action comes to a climax on a quick trip to New Orleans, where Lisa reluctantly admits her feelings for Elliot, all the while tailed by Omar, who attempts to kill them.
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