Exile | ||||
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Studio album by Gary Numan | ||||
Released | 20 October 1997 (UK) 10 February 1998 (US) |
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Recorded | 1996–1997 Outland, London |
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Genre | Industrial rock, gothic rock | |||
Length | 47:14 73:26 (Extended) |
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Label | Eagle | |||
Producer | Gary Numan | |||
Gary Numan chronology | ||||
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Singles from Exile | ||||
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Allmusic |
Exile is the sixteenth studio album by British musician Gary Numan. Its release continued a critical upswing in Numan's career which began three years earlier with the release of Sacrifice.
The album followed a loose concept namely that, rather than being opposites, God and the Devil were two sides of the same coin. Each track reflected some aspect of this premise. Unlike Sacrifice, Numan’s theme in Exile was not so much atheistic as heretical; it did not deny the existence of God but, instead, his proclaimed goodness. Shortly after the album's release, Numan explained: "Personally, I don't believe in God at all, but if I'm wrong and there is a God, what kind of god would it be who would give us the world we live in?"
The opening number and single, "Dominion Day", set the album’s gothic/industrial rock tone, describing how a man's nightmare becomes reality as Christ returns to Earth in scenes suggestive of the Book of Revelation. The tale was set against a wall of synthesizers, drum loops and distorted guitars. "Dark", which further explored what the composer saw as an incestuous relationship between God and the Devil, became a favourite for movie trailers before being used on the soundtrack of Alex Proyas’ film Dark City. "Dead Heaven" turned various biblical conceits on their head (Mary is ravaged, rather than revered, by the Three Wise Men) while "Absolution", a re-recording of a 1995 single, was a bitter reflection on the consequences of unquestioning faith; it was covered by Amanda Ghost on the Random tribute album.