Evolution Through Revolution | ||||
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CD cover
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Studio album by Brutal Truth | ||||
Released | April 14, 2009 | |||
Recorded | 2008 | |||
Genre | Grindcore | |||
Length | 41:16 | |||
Label | Relapse | |||
Producer | Doug White, Sanford Parker | |||
Brutal Truth chronology | ||||
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Alternative cover | ||||
LP cover
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Professional ratings | |
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Review scores | |
Source | Rating |
About.com | |
Allmusic | |
Blabbermouth.net | |
Decibel | favorable |
Evolution Through Revolution is the fifth studio album by grindcore band Brutal Truth. This was the band's first album since 1997, recorded after an eight-year hiatus.Evolution Through Revolution was released on April 14, 2009. It sold around 1000 copies in its first week, and debuted at No. 65 on the Top New Artist Albums (Heatseekers) chart.
Brutal Truth went on hiatus in 1998, following their tour for Sounds of the Animal Kingdom. In 2006, the band reformed to record a song for the Eyehategod tribute album For the Sick. Guitarist Gurn was later replaced by Erik Burke of Lethargy. In late 2007, Brutal Truth recorded four new original songs for This Comp Kills Fascists Vol. 1. In October 2008, the band entered the studio to record 24 songs for a new album, with work on the album being completed in January 2009.Evolution Through Revolution was released April 14, 2009. A deluxe edition was released by iTunes featuring two bonus tracks.
Evolution Through Revolution sold around 1000 copies in its first week, and debuted at No. 65 on the Top New Artist Albums (Heatseekers) chart.
The album was well received by critics. Justin M. Norton of About.com called the album "brash, experimental and multi-faceted", and found "Turmoil" to be "so fast it appears on the verge of collapsing on itself". Greg Prato of Allmusic commented that Brutal Truth delivered "good ol' fashioned grindcore", complete with "whiplash-inducing 'zero to 60' tempos, guttural growls, noise guitar [and] airtight drumming". Ryan Ogle of Blabbermouth.net called the album "chaotically creative", and praised "seemingly impossible tempo shifts" and the "grating, yet discernable tone and ear-bleeding servings of feedback". He then compared the album to imagining "a variable speed chainsaw where have the blades have been replaced with sledgehammers and then taking it on a frenzied rampage through a shopping mall."