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Everything You Ever Wanted to Know About Silence

Everything You Ever Wanted to Know About Silence
Glassjaw - Everything You Ever Wanted to Know About Silence.jpg
Studio album by Glassjaw
Released May 9, 2000
Recorded 1999-2000 at Indigo Ranch Studios, Malibu, California
Genre Post-hardcore, alternative metal
Length 51:47
Label Roadrunner
Producer Ross Robinson
Glassjaw chronology
Kiss Kiss Bang Bang EP
(1997)Kiss Kiss Bang Bang EP1997
Everything You Ever Wanted to Know About Silence
(2000)
Worship and Tribute
(2002)Worship and Tribute2002
Singles from Everything You Ever Wanted to Know About Silence
  1. "Pretty Lush"
    Released: 2000
  2. "Ry Ry's Song"
    Released: December 4, 2000
Professional ratings
Review scores
Source Rating
Absolute Punk 89%
Allmusic 3.5/5 stars
NME 8/10

Everything You Ever Wanted to Know About Silence is the debut album of American post-hardcore band Glassjaw, released in 2000. It was produced by Ross Robinson. Glassjaw has been rumored to discourage the purchasing of this album due to their acrimonious split from Roadrunner Records. Instead, they encourage people to download their music via file sharing software, such as Limewire. Robinson claimed that the label showed no interest in the band until he pushed to have them signed and showed little interest after.

A remastered version of the album was released in 2009 with two bonus tracks.

All lyrics written by Daryl Palumbo. All music written by Glassjaw, except "Lovebites and Razorlines", "Hurting and Shoving (She Should Have Let Me Sleep)" and "Everything You Ever Wanted to Know About Silence", written by Glassjaw and Ross Robinson.

Everything You Ever Wanted to Know About Silence has received generally favorable reviews.

Absolute Punk reviewer namel praised the songs "Pretty Lush" and "Piano", but said some of the album's songs have cringe-worthy lyrics and criticized the track "Babe". In a retrospective review of the album, Metal Sucks reviewer Mike Gitter was highly positive of the album. Gitter stated "Glassjaw laid down the bitchslap in-extremis" and regarded the album as a landmark.NME compared the album to "Jeff Buckley doused in napalm, crawling through a room full of broken glass."


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