Everett Lee
| Everett Lee | |
|---|---|
| Born |
August 31, 1916 Wheeling, West Virginia |
| Genres | Orchestral |
| Occupation(s) | Conductor |
| Instruments | Violin |
Everett Lee (born August 31, 1916) is an American conductor and violinist. He was the first African American to conduct a Broadway musical, the first to "conduct an established symphony orchestra below the Mason-Dixon line", and the first to conduct a performance by a major US opera company.
Born in Wheeling, West Virginia to a middle-class family, Lee moved with his parents to Cleveland, Ohio in 1927 as part of the Great Migration. While working as a hotel busboy as a teenager, Lee met the conductor Artur Rodziński, who became his mentor. He studied violin at the Cleveland Institute of Music, where he received a Ranney Scholarship. In 1943, Lee was asked to join the orchestra of the Broadway musical Carmen Jones, an all-black contemporary retelling of Georges Bizet's opera Carmen. Lee played violin in the pit and performed the oboe onstage in one scene; he was one of only two African-American musicians in the orchestra. When Carmen Jones's conductor Joseph Lattau fell ill, Lee "got his first break as an emergency pinch-hitter."Leonard Bernstein saw a performance of Carmen Jones with Lee leading the orchestra and asked him to become the permanent conductor of his musical On the Town. When Lee joined the show in September 1945, he was celebrated for being the first African American to regularly conduct a Broadway musical.
In 1946, Lee won a Koussevitzky Music Foundation Award to conduct at Tanglewood, and played first violin in the New York City Symphony, conducted by Bernstein. In 1947, he founded an interracial orchestra, the Cosmopolitan Symphony Society, made up of "Americans of Chinese, Russian, Jewish, Negro, Italian and Slavic origin," as well as women. He served as director of Columbia University's opera department in the early 1950s and traveled to Europe on a Fulbright scholarship. In 1953, Lee served as a guest conductor of the Louisville Orchestra, becoming the first African American to conduct a white symphony orchestra in the American South. In 1955, he conducted an acclaimed New York City Opera production of La Traviata, becoming "the first Negro to conduct professional grand opera in the U.S."
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