Esther Howard
| Esther Howard | |
|---|---|
 |
|
| Born |
April 4, 1892 Helena, Montana, U.S. |
| Died | March 8, 1965 (aged 72) Hollywood, California, U.S. |
| Occupation | Actress |
| Years active | 1917–1952 |
| Spouse(s) | Arthur Albertson (19??-1926; his death) |
Esther Howard (4 April 1892 – 8 March 1965) was a stage and film character actress who played a wide range of supporting roles, from man-hungry spinsters to amoral criminals, appearing in 108 films in her 23-year career.
Howard was born in Helena, Montana in 1892 and made her Broadway debut in 1917 in a play called Eve's Daughter, which was not a success. She continued to appear regularly on Broadway for the next twelve years, performing in comedies and musicals, including the hit shows Wildflower (1923) and The New Moon (1929), which was her final Broadway production.
In 1930, Miss Howard was still slender and beautiful when she changed her focus to making movies, appearing in a Vitaphone comedy short, The Victim (1930). From that point until her retirement in 1952, she worked regularly – at least one film she appeared in was released every year. She was often cast as an oversexed dowager, a decrepit old hag, and, occasionally, a glamorous society dame. Known for her versatility and expressive face, notable among her many roles were the gorgeous Miss Prescott in Meet the Mayor (1932), frowsy Jessie Florian in Raymond Chandler's Murder My Sweet (1944), a murderer in Laurel and Hardy's The Big Noise (1944), diner waitress Holly in Detour (1945), bawdy Filthy Flora in Dick Tracy vs. Cueball, (1946), the determined Mrs. Kraft out to solve a murder in Born to Kill (1947), and as Kirk Douglas’ mother in Champion (1949). Howard's lovely singing voice was used to dub in for bigger name stars, but she never sang onscreen for herself.
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