Erkki Kurenniemi (born July 10, 1941 in Hämeenlinna, Finland) is a Finnish designer, philosopher and artist, best known for his electronic music compositions and the electronic instruments he has designed. He is considered one of the leading early pioneers of electronic music in Finland. Kurenniemi is also a science populariser, a futurologist, a pioneer of media culture, and an experimental film-maker.
Kurenniemi completed the majority of his instruments, electronic compositions and experimental films in the 1960s and 1970s. Between 1962 and 1974, he designed and constructed ten electronic instruments and studio devices when he was working as a volunteer assistant at the Department of Musicology at the University of Helsinki, and as designer at Digelius Electronics Finland Oy, founded in 1970. In addition to the Musicology Department, Kurenniemi also worked as assistant and senior designer at the Department of Theoretical Physics from 1962 to 1973. Kurenniemi earned a Bachelor of Science degree in 1968.
He subsequently worked as a designer of control systems for industrial robots at Oy W. Rosenlew Ab (1976–1978), and as a designer of industrial automation and robotic systems at Nokia’s cable machinery division (1980–1986). He also worked as a specialist consultant and Head of Planning at the Science Centre Heureka in Vantaa, Finland (1987–1998).
Kurenniemi received the Finland Prize of the Ministry of Education and Culture in 2003. In 2004, he was elected honorary fellow of the University of Art and Design Helsinki. 2011 Kurenniemi received Order of the Lion of Finland medal from The President of Finland Mrs. Tarja Halonen.
Kurenniemi began his career in instrument design at the Department of Musicology in the University of Helsinki during the academic year 1961–1962. At the suggestion of musicology students Erkki Salmenhaara, Ilkka Oramo and Ilpo Saunio, Professor Erik Tawaststjerna invited Kurenniemi to design an electronic music studio for the university. Kurenniemi was also employed by the department as an unpaid voluntary assistant.
Kurenniemi’s concept for the studio represented a departure from the then prevalent tape editing studios in that it employed digital control technology and automation. The key unit for control, production and editing in 1964–1967 was the so-called integrated synthesizer, the design of which bore a closer resemblance to the 1950s' digital RCA synthesizer than to the voltage-controlled synthesizers of Robert Moog, for instance. In parallel with his work on designing the studio, Kurenniemi also built electronic instruments for customers, including the Finnish avant-garde artist M. A. Numminen, the composer Osmo Lindeman and the Swedish composer Ralph Lundsten. The most famous of his instruments is probably Sähkökvartetti (Electric Quartet), which is heard on a piece by M.A. Numminen, "Kaukana väijyy ystäviä" ("Far away lurk friends", 1968). The most ambitious of Kurenniemi’s projects was the series of DIMI synthesizers (from DIgital Music Instrument). In 1970, a company called Digelius Electronics Finland Oy was set up to manufacture DIMIs.