Erich Heckel
| Erich Heckel | |
|---|---|
Erich Heckel painting at the easel – portrait by Ernst Ludwig Kirchner
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| Born |
July 31, 1883 Döbeln |
| Died | January 27, 1970 (aged 86) |
| Nationality | German |
| Education | Königliche Technische Hochschule |
| Known for | Die Brücke |
| Style | Woodcuts/printmaking, painting |
| Movement | Expressionism |
Erich Heckel (31 July 1883 in Döbeln – 27 January 1970 in Radolfzell) was a German painter and printmaker, and a founding member of the group Die Brücke ("The Bridge") which existed 1905-1913.
Heckel was born in Döbeln, Saxony, the son of a railway engineer. Between 1897 and 1904 he attended the Realgymnasium in Chemnitz, before studying architecture in Dresden. He left after three terms, shortly after the foundation of Die Brücke, an artists' group of which he was secretary and treasurer. The other founder-members, also architectural students, were Ernst Ludwig Kirchner, Karl Schmidt-Rotluff and Fritz Bleyl. He worked in the office of the architect Wilhelm Kreis until July 1907, when he resigned to become a full-time artist.
Heckel met the other founding members of Die Brücke, Ernst Ludwig Kirchner, Karl Schmidt-Rotluff, and Fritz Bleyl, while studying architecture in Dresden. The foursome equally regarded pursuing a degree in architecture as a compromise with their respectable middle-class parents who would have never supported them, had they wanted to study art. Heckel attended the Dresden Polytechnic Institute for only eighteen months, after which time he accepted a job as a draughtsman at Wilhem Kreis's architectural studio. He was able to use the position for the benefit of the Brücke. When the firm was asked to design an exhibition room for the lamp manufacturer Max Seifert, Heckel was able to persuade the industrialist that it was worthwhile giving wall space and displays to the Brucke for an exhibition.
As a member of Die Brücke, Heckel often filled the role of business manager, which allowed the collective to network with other upcoming artists at the time, such as the Munich-based Franz Marc. This subsequently led to greater publicity for the collective, such as their mention in the almanac of Franz Marc's own artistic coalition, the Blaue Reiter.
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