Eric de Kuyper
| Eric de Kuyper | |
|---|---|
| Born | Eric Firmin Petrus de Kuyper 2 September 1942 Brussels, Belgium |
| Occupation | Novelist, filmmaker, semiologist |
| Language | Dutch (Flemish), French, English, German |
| Ethnicity | Flemish |
| Citizenship | Belgian |
| Education | PhD (EHESS) |
| Alma mater | Rits, Erasmushogeschool Brussel; Vrije Universiteit Brussel; École des hautes études en sciences sociales, Paris |
| Period | 1980s–present |
| Genre | Autobiographical novel, Bildungsroman, mystery, short story, screenplay; essay, academic non-fiction, art criticism, reviews |
| Subject | 3rd-person autobiography, human condition; semiotics, cinema, dance, homosexuality |
| Notable awards | Grand Prix – Hyères International Festival of Young Cinema, Different Cinema 1982 Casta Diva Golden Calf Special Jury Prize – Netherlands Film Festival 1984 Naughty Boys NCR Award – Foundation for the Promotion of Art 1990 De hoed van tante Jeannot. Shortlisted: AKO Literatuurprijs 1992 Grand Hotel Solitude. |
| Partner | Emile Poppe 5 October 1947 Lommel, Belgium |
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Eric de Kuyper (born 1942) is a Flemish-Belgian and Dutch writer, semiologist, art critic, and experimental film director. Fictionalized autobiographical novels, written in the 3rd-person, account for most of his creative work. His academic writing encompasses reviews, essays, articles, and books on semiotics, film, dance, theater, and opera. His non-traditional films reveal an engineered penchant for melodrama, love songs, and silent movies; their central topic is homosexuality. Towards the end of the 2000s, he started organizing concerts en images, events in which he combines silent films, some segments shot by himself for the occasions, with live classical music, and sometimes singing and acting.
Eric de Kuyper was born and spent his early childhood in Brussels and then, as he put it, his teenage years of choices swayed by "faith, sexuality, and the future" in Antwerp. According to him, his family mostly spoke Dutch while they "thought in French and felt the more subtle emotions" in that language. After graduating from Notre Dame Jesuit High School, he returned to the city of his birth to study in the Department of Audiovisual and Dramatic Arts and Techniques (Rits), Erasmus University College Brussels, and took courses in philosophy and mass communication at the Free University of Brussels. While in college, he began to work as a producer at the Flemish Radio and Television Network. In 1974 he registered for graduate study at the School for Advanced Studies in the Social Sciences in Paris where he worked in semiotics and from which he received a PhD for his thesis "Pour une Sémiotique Spectaculaire" under the direction of A. J. Greimas in 1979. Before he became a full-time writer in 1992, he was professor of film theory at the Catholic University of Nijmegen in the Netherlands (1978–1988), and then Deputy Director of the Dutch Film Museum (1988–1992). He was on the editorial board of and contributed to the Dutch academic film journal Versus.
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