Eric Clapton | ||||
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Studio album by Eric Clapton | ||||
Released | August 1970 | |||
Recorded | November 1969 – March 1970 | |||
Genre | Rock · blues · blues rock | |||
Length | 35:11 | |||
Label | Atco · Polydor | |||
Producer | Delaney Bramlett | |||
Eric Clapton chronology | ||||
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Singles from Eric Clapton | ||||
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Eric Clapton is the debut solo album from British rock musician Eric Clapton, released in August 1970 under Atco and Polydor Records.
After being successful with bands including The Yardbirds, John Mayall & the Bluesbreakers, Cream and Blind Faith, Clapton recorded an album under his own name in late 1969 and early 1970. The album cover shows Clapton sitting in a room which is going to be decorated and in which a ladder, a chair and some carpets are placed. Clapton holds a cigarette in his right hand and has his Fender Stratocaster Brownie electric guitar with him.
Clapton recorded some tracks in November 1969 at London's Olympic Studios and went on to record more songs in 1970 which was divided into two sessions; one in January 1970 at the Village Recorders Studio in West Los Angeles and a second session in March the same year at Island Studios in London. A large amount of musicians that worked with Clapton on the album had been working with the band Delaney & Bonnie, which previously backed the Blind Faith gigs.
The song "Let it Rain" had originally been recorded with different lyrics as "She Rides". Three mixes of the album were done, one by Delaney Bramlett, one by Tom Dowd and one by Clapton himself. The Dowd mix was the one used for the original release. Bramlett's mix is included in the Deluxe Edition released on CD in 2006.
In an interview from 2006, promoting The Road to Escondido, Clapton recalled that he was very happy making this album and was pleased with the results of the recording sessions, but also noted that "the only thing [he] didn't like about the album is [his] voice", because it sounds so "high" and "young", which Clapton disliked, because he "always wanted to sound like an old guy".
Robert Christgau in a contemporary review rated the album with the "B" mark and noted: "I blame a conceptual error, rather than Clapton's uncertain singing, for the overall thinness. As a sideman, Clapton slipped into producer Delaney Bramlett's downhome bliss as easily as he did into Cream's blues dreamscape, but as a solo artist he can't simulate Delaney's optimism".